tag:blogger.com,1999:blog-76468972782344481402024-03-12T19:00:52.349-05:00Shreveport Songs<br><b>Shreveport Songs:</b>
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One current and one expatriate Shreveporter share thoughts and ruminations on the great but often forgotten music history of Shreveport, Louisiana.Shreveport Songshttp://www.blogger.com/profile/10752917119859257323noreply@blogger.comBlogger54125tag:blogger.com,1999:blog-7646897278234448140.post-65332755768527514832020-06-25T09:31:00.000-05:002020-06-25T09:31:56.906-05:00RADIO L'ENVIE: CHRIS BROWN<br />
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RADIO L'ENVIE: CHRIS BROWN<br />
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Compiled in April 2020.<br />
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Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
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Listen online: <a href="https://www.mixcloud.com/RadioLenvie/lenvie-45-chris-brown/">https://www.mixcloud.com/RadioLenvie/lenvie-45-chris-brown/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2FRadioLenvie%2Flenvie-45-chris-brown%2F" width="100%"></iframe>
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1 JIMMY DOBRO Swamp Surfer (Philips 40137, 1963)<br />
2 ALEX SNOOK JONES For My Worst (Blue Boy 1001, circa 1965)<br />
3 EDDIE “G” GILES AND THE JIVE 5 Eddy's Go-Go Train (Murco 1034, 1967)<br />
4 NOEL ODOM & THE GROUP Come on Down to Earth (Tower 441, 1968)<br />
5 GAY POPPA Mercy Baby (Custom Sound 1007, circa 1970)<br />
6 NORMA DRAGOO Nightmare (Custom Sound 142, circa 1970)<br />
7 THE ROGUE SHOW Make Me Over Again (Paula 339, 1971)<br />
8 AFRICAN MUSIC MACHINE Black Water Gold (Pearl) (Soul Power 109, 1972)<br />
9 REUBEN BELL What's Happening To The World (House of Orange 2403, 1971)<br />
10 MIGHTY AMBASSADORS Stranger in the City (Rapturea 1522, circa 1975)<br />
11 LUCY-MARGARET LEWIS Reconsider Me (RAM 8042, 1980)Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com3tag:blogger.com,1999:blog-7646897278234448140.post-10892987602261686412019-12-09T19:30:00.000-06:002019-12-09T19:30:49.357-06:00Alex "Snook" Jones interview (1988)<br />
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Alex "Snook" Jones interview and music<br />
1988 January 28 <br />
by Monty Brown (Shreveport, Louisiana)<br />
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Jones describes his time as a musician in Shreveport, Louisiana, and provides examples of his piano playing. On one song, he is joined by singer Iteria Cooper Mays.</div>
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His reflections on the Shreveport music scene include stories about Eddie "Coot" Lewis, Oscar "Buddy" Woods, Major Lampkins, Nat Rogers, "Country Jim" James Bledsoe, Banny Price, Jesse Thomas, Stan Lewis, Ace Lewis, the Travis Street Bar, Palace Park, and the Star Theater.<br />
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Jones identifies the musicians on "For My Worst" b/w "Mean Old Greyhound" (Blue Boy 1001, circa 1965) recorded at Brians Recording Studio (Tyler, Texas) as follows: Alex "Snook" Jones (vocals and piano), Scott Butler (saxophone), James Davis (saxophone), Earl Tims (saxophone), Sammy Johnson (trumpet), Roosevelt Shields (trumpet), Jimmy Tyson (guitar), Lewis?/Louis? (bass), Eddie "Coot" Lewis (drums).</div>
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Listen online:<br />
<a href="https://www.mixcloud.com/shreveportsongs/alex-snook-jones-interview-1988/">https://www.mixcloud.com/shreveportsongs/alex-snook-jones-interview-1988/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2Falex-snook-jones-interview-1988%2F" width="100%"></iframe>
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Track listing:<br />
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[00:00:00-00:03:00] ALEX "SNOOK" JONES - For My Worst (Blue Boy 1001, circa 1965)</div>
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[00:03:00-00:05:55] ALEX "SNOOK" JONES - Mean Old Greyhound (Blue Boy 1001, circa 1965)</div>
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[00:05:55-00:08:15] JOHNNY GOSEY accomp: ALEX JONES & NITE HAWKS - I Lost My Baby ('Cause I Can't Rock And Roll) (MOA 1001, 1959)</div>
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[00:08:15-00:10:55] JOHNNY GOSEY accomp: ALEX JONES & NITE HAWKS - Fools Will Take Chances (MOA 1001, 1959)<br />
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ALEX "SNOOK" JONES interview by Monty Brown (1988 January 24)</div>
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[00:10:55-00:53:45] interview </div>
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[00:53:45-01:07:50] Alex "Snook" Jones on piano</div>
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[01:07:50-01:13:15] Alex "Snook" Jones on piano, Iteria Cooper Mays on vocals </div>
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[01:13:15-01:30:22] interview</div>
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Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-91487717258359537322019-09-13T09:08:00.001-05:002019-09-13T09:08:16.290-05:00THE GOSPEL ACCORDING TO SHREVEPORT (1931-2000)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-tUwOiE3mxLQ/XXr4uX3iWyI/AAAAAAAAEKI/9g1XTiS9FyMjqoxcOCLlmzGBETpjRNM4QCLcBGAsYHQ/s1600/thegospelaccordingtoshreveport.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="474" data-original-width="474" height="320" src="https://1.bp.blogspot.com/-tUwOiE3mxLQ/XXr4uX3iWyI/AAAAAAAAEKI/9g1XTiS9FyMjqoxcOCLlmzGBETpjRNM4QCLcBGAsYHQ/s320/thegospelaccordingtoshreveport.jpg" width="320" /></a></div>
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THE GOSPEL ACCORDING TO SHREVEPORT (1931-2000)<br />
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Compiled in December 2016, liner notes revised September 2019.<br />
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Sacred songs recorded in Shreveport, sacred songs by Shreveporters, sacred songs on Shreveport record labels.<br />
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Listen online: <a href="https://www.mixcloud.com/shreveportsongs/the-gospel-according-to-shreveport-1931-2000/">https://www.mixcloud.com/shreveportsongs/the-gospel-according-to-shreveport-1931-2000/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2Fthe-gospel-according-to-shreveport-1931-2000%2F" width="100%"></iframe>
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1 LEADBELLY Hallelujah (1940)<br />
Raised in and now resting at Shiloh Baptist Church (Mooringsport, La.). The “King of the Twelve-String Guitar”...acapella.<br />
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2 JIMMIE DAVIS Down At The Old Country Church (Victor 23628, 1931)<br />
“When the Saints Go Marching In” + recitation + Jimmie Davis falsetto + memorable guitar playing by Ed “Dizzy Head” Schaffer.<br />
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3 HANK WILLIAMS, KITTY WELLS, AND JOHNNIE WRIGHT Dear Brother (1948)<br />
While employed by KWKH radio station and the Louisiana Hayride, three musicians collaborated on this demo recording. Later, Hank and Audrey Williams recorded a version.<br />
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4 REV. UTAH SMITH AND CONGREGATION Glory To Jesus I'm Free (Two Wing Temple, 1947)<br />
Raised in the Cedar Grove neighborhood, and buried at Carver Memorial Cemetery. A raucous recording with his New Orleans congregation.<br />
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5 THE BAILES BROTHERS I Need The Prayers (circa 1948)<br />
From their morning radio show on KWKH. Upcoming performances at Shreveport’s Municipal Memorial Auditorium and nearby high schools.<br />
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6 THE WILBURN FAMILY Will You Be Ready (To Wear A Golden Crown) (4 Star 1522, 1950)<br />
Regulars on Shreveport’s radio airwaves from 1949 to 1951. First employed by KTBS, then KWKH and the Louisiana Hayride.<br />
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7 WILLIE CASTON AND THE EVER READY GOSPEL SINGERS One Of These Mornings (Abbott 158, 1954)<br />
Perhaps Shreveport’s longest-running gospel group (mid-1940s to mid-2000s). Lead vocal by Robert Broussard.<br />
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8 JACKSON GOSPEL SINGERS Old Ship Of Zion (Jackson Gospel Singers 103, circa 1955)<br />
From 1945 to 1957, Rev. Anderson Samuel Jackson Jr. pastored Mount Canaan Baptist Church. Around this time, he also hosted a radio show on KENT and released this record.<br />
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9 MARY EVELYN KENNEDY Dear Jesus, Abide With Me (Grace Tabernacle 258, circa 1965)<br />
A girl and an accordion. Recorded at Grace Tabernacle.<br />
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10 SPIRITUAL HARMONIZERS Meet Me In The City (Custom Sound 141, circa 1970)<br />
Lead vocal by Rev. Arlandus Green. Group from Minden, La.<br />
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11 THE AMBASSADORS, SHREVEPORT, LA. It's Me (Hosanna 1002, circa 1970)<br />
Written by member Tommie Nash. Group also known as the Mighty Ambassadors.<br />
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12 BELLS OF TONE Come And Go With Me (Custom Sound 156, circa 1970)<br />
Lead vocal by George Bridges.<br />
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13 HUMMINGBEES Bleeding Heart (Memorial 1-11, 1973)<br />
Lead vocal by Eddie Bennett.<br />
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14 DOROTHY WHITEHEAD Jesus, Just Jesus (Hy Sign 711, 1973)<br />
Powerful song by this mystery screamer.<br />
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15 FIVE GOSPLE WRITERS This World Is Drunk (Memorial 1-22, 1974)<br />
Written and lead vocal by Herbert Campbell. Lyrics address: drinking, Daniel in the lions’ den, dope peddling, and streaking. From Bastrop, La.<br />
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16 FIVE ECHO'S OF HARMONY OF SHREVEPORT, LOUISIANA Fix Me Jesus (BLB 1202, circa 1975)<br />
Written by member Ed Fleming. Released by Brady L. Blade Sr.<br />
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17 ROCKS OF HARMONY OF SHREVEPORT, LA. In The Care Of The Lord (Hosanna 8032, circa 1975)<br />
Written by member J. Reed.<br />
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18 ESSIE LEE HAYES I'm Working For The Lord (Custom Sound 180, circa 1975)<br />
Written and sung by Essie Lee Hayes. Recorded at Sound City Studios.<br />
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19 BRO. ELIE TAYLOR, JR. Stay With Me Jesus (DRP 3607, circa 1980)<br />
“The Man With The Organ.” “The Fantastic Gospel Warrior” from Minden, La.<br />
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20 THE SENSATIONAL JONES SINGERS All He Was Doing (Kingdom 94-52, circa 1980)<br />
Gospel funk punctuated with keyboards.<br />
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21 THE MOORE SINGERS Lord I Tried (Custom Sound 344, circa 1980)<br />
Written by Iugustus Moore Jr. Recorded at Southern Star Studios.<br />
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22 REVEREND JOE BATTLE AND “THE GOSPEL EXPLOSION” When The Saints Go Marching In (Custom Sound 304, circa 1980)<br />
Rev. Battle plays organ on this recording from Southern Star Studios.<br />
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23 THE IMPERIAL GOSPEL SINGERS The Lord Will Make Away (Custom Sound 351, circa 1980)<br />
Recorded at Southern Star Studios.<br />
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24 SPIRITUAL TRAVELERS You Better Change Your Ways (Custom Sound 357, circa 1980)<br />
Written and lead vocals by James Jones. Recorded at Southern Star Studios.<br />
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25 ARTEE L. PHILYAW Life Must Go On With Me (Gospel Sound’s Recording Co., 2000)<br />
“Mr. Gospel Explosion” sang with the Echoes of Zion in the 1940s, worked as a radio announcer on KANB and KIOU, and released his own recordings. Since 2008, life has been going on without Philyaw.Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-27544343657607954362019-07-18T20:15:00.000-05:002019-07-18T20:18:27.684-05:00SHREVEPORT, WHERE LOVE NEVER DIES: OUR CITY'S SONGS (1928-1980)<br />
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<a href="https://1.bp.blogspot.com/-f_ljKuF4OYw/XSZ1j0z0C0I/AAAAAAAAEHE/2IwWiiS6GykCNt3Cr0LCG41Bz_qPnc33ACLcBGAs/s1600/shreveportwhereloveneverdies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://1.bp.blogspot.com/-f_ljKuF4OYw/XSZ1j0z0C0I/AAAAAAAAEHE/2IwWiiS6GykCNt3Cr0LCG41Bz_qPnc33ACLcBGAs/s320/shreveportwhereloveneverdies.jpg" width="320" /></a></div>
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SHREVEPORT, WHERE LOVE NEVER DIES: OUR CITY'S SONGS (1928-1980)<br />
<br />
Compiled in December 2014, liner notes revised July 2019.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/10-shreveport-where-love-never-dies-our-citys-songs-1928-1980/">https://www.mixcloud.com/shreveportsongs/10-shreveport-where-love-never-dies-our-citys-songs-1928-1980/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F10-shreveport-where-love-never-dies-our-citys-songs-1928-1980%2F" width="100%"></iframe>
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1 JIMMIE DAVIS The Davis Limited (Victor 23601, 1931)<br />
Shreveport -- where polecats smell like perfume. Shreveport -- where policemen portray guitar-playing hobos in song (thanks to Buddy Jones). Shreveport -- where the clerk of the criminal division of the city court moonlights as a country singer and grows up to be Louisiana governor (none other than Jimmie Davis).<br />
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2 DOUGLAS WILLIAMS FOUR Kind Daddy (Victor 21695, 1928)<br />
Clarinetist DW performed in Shreveport’s early jazz orchestras: Happy Eagle Orchestra (1914), Echo Orchestra (1914-1915), and Frank Neal and his DeLuxe Jazz Orchestra (1923). While residing in Memphis during the late 1920s, he recorded a dozen records issued on Victor.<br />
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3 JAP MAGEE AND BANJO Barrel House Blues (Brunswick 4267, 1928)<br />
Banjoist JM was connected to Shreveport’s KWKH in the early 1930s according to the radio station’s business records. A few years earlier, Magee performed in bands based out of South Texas cities such as Brownsville and Bay City. He recorded this song, taken from his only record, at a session in Dallas, Texas.<br />
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4 LEAD BELLY Mister Tom Hughes' Town (Library of Congress 121, 1934)<br />
This song relates the formative experience of Huddie Ledbetter visiting Shreveport’s red light district (St. Paul’s Bottoms neighborhood) against his mother’s wishes. Over the years, he recorded it nearly a dozen times with slight variations on the lyrics and title. This earliest recording contains a few risqué lyrics omitted from subsequent recordings of the song. John Lomax made this recording for the Library of Congress while Lead Belly served time at the Louisiana state penitentiary in Angola.<br />
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5 DICK HART I'll Do As I Cotton Pickin' Please (1946)<br />
Born a few miles south of Shreveport in the Forbing community, DH adopted the life of an itinerant country music radio performer as a teenager. This included stints on Shreveport’s KWKH. At the time of this homemade recording, he worked at KARK in Little Rock, Arkansas.<br />
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6 HOT ROD HAPPY Worried Blues (Pacemaker 1014, circa 1950)<br />
Blues guitarist James Bledsoe (aka Country Jim, aka Hot Rod Happy) also made recordings for the Imperial and Specialty record labels. This song appears on his only record released by a Shreveport label -- Pacemaker -- which primarily focused on country music.<br />
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7 NORMAN NETTLES I've Got The Right Key Baby (But I Can't Get In) (Delta 100, 1954)<br />
During the 1930s and 1940s, NN played guitar for his brother’s group, Bill Nettles and his Dixie Blue Boys, who performed over KWKH radio station. In the 1950s, Norman led his own band, NN and the Blue Mountain Boys. This song, from their second record, appeared on the first (and perhaps only) release on the local Delta label.<br />
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8 HOOT & CURLEY You Get What You Pay For (Starday 195, 1955)<br />
Originally members of Slim Whitman’s band, steel guitarist Thomas Houston “Hoot” Rains and guitarist Cornell “Curley” Herndon branched off as a duo. They regularly appeared on the Louisiana Hayride and recorded a handful of singles.<br />
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9 PETE HARDIN Baby Be My Chicadee (Peach 748, 1959)<br />
Although this song features prominent piano, PH was known as a fiddle player...as well as a barber and local nightclub owner (Skyway Club, House of Blue Lights, Pete ‘n’ Peaches Club). He released a few records featuring his own music such as this song written by his wife Peaches.<br />
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10 EVER-READY GOSPEL SINGERS All My Sins (Peacock 1802, 1959)<br />
Formed in 1946, the ERGS recording tenure spanned 1950 to 1997. The record containing this song marks the largest label they recorded for -- Peacock Records in Houston, Texas. Lead vocals provided by Robert Broussard.<br />
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11 MERLE KILGORE I Take A Trip To The Moon (D 1042, 1959)<br />
Shreveport native and Byrd High School graduate MK is especially remembered as the writer of songs popularized by other musicians -- Johnny Cash’s “Ring of Fire” and Claude King’s “Wolverton Mountain.” His solo recordings include this one with a co-writer’s credit for record store owner Stan Lewis.<br />
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12 DOUG DAVIDSON Star (Of My Teenage Dream) (MOA 1003, circa 1960)<br />
DD recorded two singles for the local label, Music of America. Backup vocals provided by sisters Margaret and Rose Lewis. Davidson had a lengthy career in Shreveport radio and television.<br />
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13 BLUES KINGS Half-Baked (K-Dee 1000, circa 1960)<br />
The few bits of known information are as follows: Maurice Varnado (arranger), Dale Hawkins (producer and songwriter credit), Bossier Music Company (publisher).<br />
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14 JOE STAMPLEY Teenage Picnic (Chess 1798, 1961)<br />
Before he joined The Uniques, JS recorded this track for his second solo record. Local record store owner Stan Lewis appears listed as co-writer of this song. His friendship with record label owner Leonard Chess of Chicago led to this release.<br />
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15 WOLFMAN JACK AND THE RHYTHM KINGS Yea Yea Yea (UBC Productions, 1963)<br />
In 1962, disc jockey Robert Weston Smith took a job at local radio station KCIJ. While working there, he developed his Wolfman Jack persona. This live recording finds him on stage at the Peppermint Lounge in Bossier City.<br />
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16 TRACY TYLER Bossier City (Manco 1073, 1964)<br />
Across the Red River from Shreveport, Bossier City was once known for its nightclubs on the Bossier Strip located on Highway 80. According to this song’s protagonist, he lost his woman there.<br />
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17 NOEL ODOM & THE GROUP Come on Down to Earth (Tower 441, 1968)<br />
Regulars on the local 1960s teen dance and nightclub circuits, this band released three 45s. Trivia: An overdubbed guitar solo replaces Ron DiIulio’s original organ solo; however, the vocalist still introduces the solo by yelling “Alright, Ron, organ!”<br />
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18 GENE & ROBBIN The Angels Are Crying (Travis 50, circa 1970)<br />
Based on other releases from the local record label Travis, this duo may have been connected to the Keithville Jamboree, a live music show operating a few miles south of Shreveport. This record was produced by George Armstrong, who played drums and served as host of the Jamboree.<br />
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19 JOHNNY BULLOCK & THE JAMBOREE SHOWBOYS Note Tripping (Travis 51, circa 1970)<br />
Like the previous song, another record released on Travis. Keyboardist Johnny Bullock continues to perform for local audiences.<br />
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20 GAY POPPA Gay Poppa’s Cha Cha (Custom Sound 1007, circa 1970)<br />
When you ask Shreveporters about KOKA disc jockey Sunrose Rutledge (aka Gay Poppa), some people shout “Gay Poppa Cha Cha!” From his only record, here’s the song that cemented those memories.<br />
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21 ABRAHAM AND THE CASONOVAS Kangaroo I & II (Peermont 1057, 1971)<br />
Abraham Ester recorded over half a dozen r&b/soul/funk 45s for local record labels run by Dee Marais. After this record’s initial release on Peermont, it received wider exposure thanks to a licensing deal re-releasing it on Wand Records from New York.<br />
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22 DOROTHY WHITEHEAD Rain, Rain, Rain (Hy Sign 711, 1973)<br />
Gospel shouter DW relays the story of Noah. Produced, published, and released by Harding Guyon Desmarais (aka Dee Marais, who ran the Bayou Record Shop on 70th Street and co-founded Murco Records). P.S. Watch out for the creepin’ things.<br />
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23 UPC TRIO Baptized In His Name (UPC, circa 1980)<br />
Members of the New Testament United Pentecostal Church in Shreveport make up this music group. The label on the record identifies them as Sister Lucy Frazier (alto), Helen Hunt (soprano), and Luella P. Taylor (soloist).<br />
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24 RAY BARTLETT Stan's Record Revue radio segment (December 1951)<br />
RB moved to Shreveport in 1947 to work as a disc jockey for KWKH. There he developed his jive-talking “Groovie Boy” persona and played the latest blues and gospel records. One of the radio shows he hosted involved advertising records available for mail order from Stan Lewis. Just remember late folks, “This is not one big hit record and four records that you never heard of before in your life.”Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-49974823365364113192019-06-26T12:13:00.000-05:002019-06-26T12:33:34.485-05:00SHREVEPORT AMBASSADORS: OUR CITY'S SONGS (1928-1980)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-p22G0363TEY/XROd6Vh_XBI/AAAAAAAAEGc/lLzFhQtx2QwLnvJ9qX9Wz6wS55U0eRCWACLcBGAs/s1600/shreveportambassadors.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://1.bp.blogspot.com/-p22G0363TEY/XROd6Vh_XBI/AAAAAAAAEGc/lLzFhQtx2QwLnvJ9qX9Wz6wS55U0eRCWACLcBGAs/s320/shreveportambassadors.jpg" width="320" /></a></div>
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<br />
SHREVEPORT AMBASSADORS: OUR CITY'S SONGS (1928-1980)<br />
<br />
Compiled in December 2013, liner notes revised June 2019.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/9-shreveport-ambassadors-our-citys-songs-1928-1980/">https://www.mixcloud.com/shreveportsongs/9-shreveport-ambassadors-our-citys-songs-1928-1980/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F9-shreveport-ambassadors-our-citys-songs-1928-1980%2F" width="100%"></iframe>
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1 GRÉGOIRE NAKCHOUNIAN AND HIS RUSSIAN NORTH STAR ORCHESTRA Schreeveport Stomp (Vox H10269E, circa 1928)<br />
A group of Russian musicians move to Paris, tour and record in the Netherlands, then a German record label releases the music. The spelling of this Jelly Roll Morton classic was apparently lost in translation.<br />
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2 NOAH MOORE I Done Tole You (1940)<br />
Moore resided in nearby Oil City and was the cousin of Lead Belly. John and Ruby Lomax recorded this song (plus the impromptu train noises) for the Library of Congress.<br />
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3 SLEEPY JEFFERS You Turned A Good Man Down (Pacemaker 1007, circa 1950)<br />
Originally from West Virginia, itinerant musician SJ found his way to town and hosted a radio show on KTBS during 1950. Pacemaker (a Shreveport record label run by Horace Logan and Webb Pierce) released this song written by Cliff and Tex Grimsley.<br />
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4 HILLBILLY EVANS Since You're Gone (circa 1958)<br />
“Hillbilly” Dean Evans hosted a radio show on KCIJ from 1958 to 1960. This song appears on a demonstration acetate disc with a label indicating it was recorded at KCIJ.<br />
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5 DONNIE RAY WHITE Hey Pretty Baby (1957)<br />
Friends with Dale Hawkins and his crew of musicians, DRW only recorded a couple demo songs. Here's one with Hawkins on rhythm guitar.<br />
<br />
6 DAVID HOUSTON One & Only (1957)<br />
In 1956 and 1957, DH frequently appeared on the Louisiana Hayride -- the source of this live recording. His spoken introduction to this song contains a reference to Carnival Rock, the movie in which he and his band (featuring James Burton) performed this song.<br />
<br />
7 JOHNNY HARRIS Ripsaw (Wanted 711, 1962)<br />
Written by JH and record store owner Dee Marais, Ripsaw's harmonica-drenched craziness relates the story of a hunting trip gone wrong. Fireman JH made a few appearances on the Louisiana Hayride in 1960.<br />
<br />
8 JESSE THOMAS My Baby (Red River 78996, 1963)<br />
JT returned to Shreveport from California in the late 1950s. In the early 1960s, he began releasing records on his own label, Red River. Dee Marais handled the publishing on this 45.<br />
<br />
9 THE FIVE SOUNDS Clumsy Dragon (Lakeside 2001, circa 1965)<br />
According to the label credits for this instrumental -- which takes full advantage of novelty guitar effects -- Stan Lewis handled the publishing. Other records by this band suggest they may have been from Arkansas. <br />
<br />
10 JIMMY "PREACHER" ELLIE I'm Gonna Do It By Myself (Jewel 770, 1966)<br />
This song was written and produced by former Shreveporter Ferdinand "Fats" Washington. After moving, he still maintained ties to Stan Lewis, who released this on Jewel. They misspelled West Coast singer Jimmy Ellis's name on the label.<br />
<br />
11 DANNY & JERRY Connection (Ronn 12, 1967)<br />
Local duo Danny Wilder and Jerry Beach had three 45s released on Stan Lewis's Ronn record label in the late 1960s. Each featured a cover version of a rock song from that era, such as this one originally by the Rolling Stones.<br />
<br />
12 MARGARET LEWIS Kangaroo of Love (SSS International 704, 1967)<br />
The teamwork of three locals (ML plus Mira Smith and Shelby Singleton) who relocated to Nashville yielded this unique insult song. "May the kangaroo of love kick your face!"<br />
<br />
13 MARION ESTER Victim Of Circumstance (Murco 1047, 1968)<br />
Abraham and Marion Ester (and the Casanovas) had a few records on local label Murco. However, this is the only one to list Marion as the primary artist.<br />
<br />
14 THE MIGHTY AMBASSADOR'S OF SHREVEPORT, LA. Sweet Home (Judnell 103, 1969)<br />
This local gospel group included vocalists Tommy Nash and John Pettaway. Houston disc jockey George Nelson operated the record label responsible for this release.<br />
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15 GENE WYATT & DAWN GLASS Go Together (Paula 1224, 1970)<br />
Though from different generations, the musical trajectory of these two locals was similar - sometimes rock and roll, sometimes country. The call and response lyrics offer some unusual pairings.<br />
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16 THE GENIES No News Is Bad News (Ronn 56, 1971)<br />
A song written by Jerry Strickland and Bobby Patterson, arranged and produced by Patterson, and recorded at Sound City Studios on Line Avenue. Who were The Genies?<br />
<br />
17 CURLY DAVIS & THE UNIQUES Black Cobra Part I & II (Custom Sound 148, circa 1973)<br />
Newspaper articles for Shreveport's NAACP Soul Festival held at the Municipal Auditorium in 1969 indicate CD's band performed. The history of this group waits to be uncovered.<br />
<br />
18 BOBBY DEAN OF THE TEAR DROPS Dreaming My Life Away (Custom Sound 165, circa 1975)<br />
Clues suggest this amateur teen ballad was recorded two decades after this style of music ruled the charts. Bobby Dean: genre preservationist. Publishing handled by Stan Lewis.<br />
<br />
19 REVEREND JOE BATTLE AND "THE GOSPEL EXPLOSION" Shout (Custom Sound 304, circa 1975)<br />
This impassioned gospel workout stretches long enough to include a roll call and solos by each of the musicians. Rev. Battle plays organ and sings on this recording from Southern Star Studio.<br />
<br />
20 ESSIE LEE HAYES God Truly Healed My Body (Custom Sound 180, 1975)<br />
Sister Hayes relates this story of her misery and subsequent healing in 1972. Recorded at Sound City Studios.<br />
<br />
21 KING Fashion (SS-369, circa 1980)<br />
The album containing this song sounds like a compilation of meandering rehearsal tapes by five different bands. Nevertheless, all the recordings apparently somehow relate to the involvement of one individual who went by the pseudonym King. Here’s his rendition of a David Bowie song.<br />
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22 RONALD COYNE Plastic Eye Miracle (Ronald Coyne Revivals, circa 1970)<br />
RC, a one-eyed evangelist from Oklahoma, delivered a rousing service at Shreveport's Convention Hall. This excerpt from his album "When God Smiled On Ronald Coyne" contains highlights of his talk, blindfolded reading, and faith healing.Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-27123318574011891602019-05-12T21:00:00.000-05:002019-05-12T21:00:06.227-05:00SHREVEPORT, THERE'S NO PLACE LIKE THIS TOWN: OUR CITY'S SONGS (1934-1986)<div>
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<a href="https://2.bp.blogspot.com/-YppQkVfcwP4/XNhDJb9qrZI/AAAAAAAAEFM/0N6-_XzlqswB8n3lGmMyyHMIAwwH4ocQgCLcBGAs/s1600/shreveportheresnoplacelikethistown.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://2.bp.blogspot.com/-YppQkVfcwP4/XNhDJb9qrZI/AAAAAAAAEFM/0N6-_XzlqswB8n3lGmMyyHMIAwwH4ocQgCLcBGAs/s320/shreveportheresnoplacelikethistown.jpg" width="320" /></a></div>
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SHREVEPORT, THERE'S NO PLACE LIKE THIS TOWN: OUR CITY'S SONGS (1934-1986)<br />
Compiled in December 2012, liner notes revised May 2019.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/8-shreveport-theres-no-place-like-this-town-our-citys-songs-1934-1986/">https://www.mixcloud.com/shreveportsongs/8-shreveport-theres-no-place-like-this-town-our-citys-songs-1934-1986/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F8-shreveport-theres-no-place-like-this-town-our-citys-songs-1934-1986%2F" width="100%"></iframe>
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<br />
1 BUDDY WOODS WITH THE WAMPUS CATS Don't Sell It (Don't Give It Away) (Vocalion 3906, 1937)<br />
The last commercial recording sessions by Shreveport's enigmatic blues guitarist Oscar "Buddy" Woods finds him paired with the equally mysterious Wampus Cats.<br />
<br />
2 SIN-KILLER GRIFFIN AND CONGREGATION Wasn't That A Mighty Storm (Library of Congress AAFS 48, 1934)<br />
Born in Caddo Parish in 1863, traveling evangelist John L. "Sin-Killer" Griffin became most well known for conducting religious revivals around Dallas, Texas, beginning in the 1880s. John Lomax recorded this song at the Darrington State Prison Farm in Sandy Point, Texas, when SG worked as a chaplain to black convicts.<br />
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3 SHELTON BROS. (BOB AND JOE) Knot Hole Blues (Decca 5653, 1938)<br />
Originally from East Texas, the SBs spent long stretches in Shreveport during the 1930s thanks to their employment by KWKH. In addition to radio broadcasts, they maintained a prolific recording career issuing records under their name as well as others (see: Lone Star Cowboys, Sunshine Boys, Jimmie Davis).<br />
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4 ODIS ECHOLS AND HIS MELODY BOYS Dreary Midnight Blues (Red Barn RH1160, 1948)<br />
In the years immediately preceding the launch of the Louisiana Hayride in 1948, itinerant country musician OE and his band hosted a radio show on KWKH. Band members included locals Jack Ford (guitar) and Sleepy Brown (trumpet).<br />
<br />
5 THEODORE WILBURN WITH THE WILBURN FAMILY Down in Dixie (Where They Say You All) (4 Star 1490, 1950)<br />
During the summer of 1949, the Wilburn Family relocated to Shreveport thanks to fellow country musician Zeke Clements. While living here for a couple years, they maintained a morning radio show on KWKH and were regulars on the Louisiana Hayride.<br />
<br />
6 CLARENCE LONDON Goin' Back To Mama (Fidelity 3009, 1952)<br />
When reissued on a 1970s compilation LP, the liner notes described CL as a construction worker that hung around Stan Lewis's record shop.<br />
<br />
7 SLIM WHITMAN North Wind (Imperial 8208, 1953)<br />
Shreveport mailman and singer SW skips the yodeling on this song. Hear steel guitarist Thomas "Hoot" Rains with his trademark "shooting arrows" technique.<br />
<br />
8 JACKSON GOSPEL SINGERS Satisfied (Jackson Gospel Singers 103, circa 1955)<br />
From 1945 to 1957, Reverend Anderson Samuel Jackson Jr. pastored Mount Canaan Baptist Church. Around this time, he also hosted a radio show on KENT and released this record.<br />
<br />
9 AL JONES Mad, Mad World (Poplar 104, 1957)<br />
This is what you sound like when your dad is a Bossier City police captain, your brother is a stunt man on the Mod Squad, your sister is Billie Jean Horton, and your brothers-in-law are Hank Williams and Johnny Horton. Music provided by Jesse Stone and his orchestra.<br />
<br />
10 JOHNNY GOSEY I Lost My Baby ('Cause I Can't Rock And Roll) (MOA 1001, 1959)<br />
Here's the first release on Wilson Evans's Music of America record label. On this song, Evans shares songwriting credits with Alex "Snook" Jones. Jones and his band the Nite Hawks provide the musical accompaniment.<br />
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11 CHARLES PERRYWELL AND HIS FAIRLANES Your Lonesome Now (Tic-Toc 104, 1961)<br />
Though this Lake Charles record label managed to misspell both "Pennywell" and "you're," they did release a flawless song by this Shreveport vocal group. These days, Charles "Diamond" Pennywell lives and performs in Las Vegas.<br />
<br />
12 LUCKY CLARK So Sick (Chess 1782, 1961)<br />
In the early 1960s, Tommy Lee "Lucky" Clark spent time in Shreveport. Songwriter credits for this song list local record men Dee Marais and Stan Lewis. By the 1970s, LC was playing bass for the Suzi Arden show at the Mint Hotel in Las Vegas.<br />
<br />
13 VINCENT WILLIAMS Do I Have A Chance With You (RAM 2100, 1961)<br />
Originally from nearby Longview, Texas, VW played in Shreveport clubs and connected with Mira Smith to release this 45 on her label.<br />
<br />
14 ARNIE CARVER John Kennedy Ballad (Carver 101, circa 1965)<br />
Amateur folk rock by mystery musician AC. Publishing credits indicate the involvement of Dee Marais, who co-ran Murco Records and operated the Bayou Music Shop.<br />
<br />
15 JAMES BURTON Jimmy's Blues (Miramar 108, 1965)<br />
One of the few records where prolific guitarist JB receives top billing. He shares the songwriting credits with Joe Osborn (bass) and Mickey Jones (drums).<br />
<br />
16 THE BAD HABITS Hook Nose And Wooden Leg (Scepter 12126, 1965)<br />
Taking cues from the sound of the Newbeats, this band included Jerry Beach (guitar) and Danny Harrelson (piano). In recent years, Beach performed with Robin And the Bluebirds and hosted the Monday Night Blues Jam at Lee's Lounge.<br />
<br />
17 ART AND PAT Gonna Leave You (Doric 101, circa 1965)<br />
Art (Tucker) and Pat perform a song arranged by Dean "Al" Mathis and written by Mira Smith and Margaret Lewis.<br />
<br />
18 RON GRAY Hold Back The Sunrise (Hanna-Barbera 488, 1966)<br />
When RG recorded this song, he had recently changed careers from banker to disc jockey. He hosted "Road Show," a weekday afternoon radio show on KWKH.<br />
<br />
19 LITTLE DUCK AND THE QUACKERS Excuse Me (Ronn 19, 1968)<br />
This wild novelty record appears to be The Uniques in disguise. Written by "R. Mills" (Ray Mills played lead guitar in The Uniques) and arranged by Joe Stampley (singer and keyboard player in The Uniques).<br />
<br />
20 BILL BOHANNON Shreveport, Louisiana (Paula 292, 1968)<br />
With lyrics like these, you'd expect this to have been underwritten by Shreveport's Chamber of Commerce! BB worked as a DJ for KWKH and as operations director for KRMD.<br />
<br />
21 DORI GRAYSON I Can Fix That For You (Murco 1045, 1968)<br />
DG only released three 45s, yet they make her a serious contender for the best 1960s female soul singer in Shreveport. This song appeared on her second 45.<br />
<br />
22 DALE & RAY WITH THE TEXAS OILERS Legal Tender (Black Gold 2, circa 1970)<br />
The sleeve for this 45 yields few clues: "Dale & Ray with the Texas Oilers from Shreveport." Record label address in nearby Marshall, Texas.<br />
<br />
23 NITA EUBANKS You Ain't Woman Enough (Purple Turtle 101, circa 1970)<br />
With a record label address at the Lane Building downtown, here's one of Shreveport's contributions to the "bizarre records by children" genre. 11-year-old NE channels her inner Loretta Lynn.<br />
<br />
24 STANLEY WINSTON No More Ghettos In America (Jewel 149, 1970)<br />
SW, a native of New Roads, Louisiana, recorded this song at Sound City Studios in Shreveport. The studio's engineer, George Clinton, served as music arranger of the recording.<br />
<br />
25 ADOLPH & THE ENTERTAINERS Old Folks Shuffle Part 1 & 2 (Alarm 103, circa 1972)<br />
Local record label Alarm issued two 45s by Adolph Washington, which may have been the group's only releases. Here's both sides of their second record.<br />
<br />
26 FONTELLA BASS Home Wrecker (Paula 389, 1973)<br />
Best known for her 1965 hit "Rescue Me," St. Louis's FB released a few records on Paula in the early 1970s. This song, composed by locals Bobby Patterson and Jerry Strickland was recorded at Sound City Studios on Line Ave.<br />
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27 BARBARA FLOWERS JOY Foot Stompin' (Joy, 1986)<br />
This record appears to have been self-released by BFJ. Herman Finley, who served as music director at Mount Canaan Baptist Church, handled production duties. Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-52857390215407057922019-04-09T22:45:00.000-05:002019-04-09T22:45:02.699-05:00Margaret Lewis Warwick on "Art of the Insane" radio show (June 20, 2006). Hosted by Chris Brown, KSCL 91.3 FM (Shreveport, Louisiana).<div class="separator" style="clear: both; text-align: center;">
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Margaret Lewis Warwick on "Art of the Insane" radio show<br />
June 20, 2006<br />
Hosted by Chris Brown<br />
KSCL 91.3 FM (Shreveport, Louisiana).<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/margaret-lewis-warwick-on-art-of-the-insane-radio-show-kscl-913-fm-june-20-2006/">https://www.mixcloud.com/shreveportsongs/margaret-lewis-warwick-on-art-of-the-insane-radio-show-kscl-913-fm-june-20-2006/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2Fmargaret-lewis-warwick-on-art-of-the-insane-radio-show-kscl-913-fm-june-20-2006%2F" width="100%"></iframe>
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<br />
Track listing:<br />
DALE HAWKINS - Little Pig (Chess 1429, 1958)<br />
MARGARET LEWIS - Shake a Leg (Ram 1611, 1959)<br />
MARGARET LEWIS - Frankie and Johnny (live at the Venus Theatre, Shreveport, La., October 7, 1960)<br />
UNCLE BOB NEAL - Ram Record Shop advertisement (October 7, 1960)<br />
UNIDENTIFIED DISC JOCKEY - Ram Record Shop advertisement (circa 1960)<br />
MARGARET LEWIS - One Today Another Tomorrow (live at the Louisiana Hayride, May 21, 1960)<br />
LUCY-MARGARET LEWIS - Reconsider Me (Ram 8042, 1980)Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-64173617178977369132019-02-07T22:43:00.002-06:002019-02-07T22:48:03.715-06:00Rev. Eddie Giles on "Art of the Insane" radio show (May 22, 2007)<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-EMjXkqTgaaI/XF0G3vX2JlI/AAAAAAAAEBs/p4awilw22-8Szd-QaMty43D2aUnLRp6rgCLcBGAs/s1600/RevEddieGilesArtOfTheInsane_KSCL913FM_20070522.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://2.bp.blogspot.com/-EMjXkqTgaaI/XF0G3vX2JlI/AAAAAAAAEBs/p4awilw22-8Szd-QaMty43D2aUnLRp6rgCLcBGAs/s320/RevEddieGilesArtOfTheInsane_KSCL913FM_20070522.jpg" width="320" /></a></div>
<br />
<br />
Rev. Eddie Giles on "Art of the Insane" radio show<br />
May 22, 2007<br />
Hosted by Chris Brown<br />
KSCL 91.3 FM (Shreveport, Louisiana).<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/rev-eddie-giles-on-art-of-the-insane-radio-show-kscl-913-fm-may-22-2007/">https://www.mixcloud.com/shreveportsongs/rev-eddie-giles-on-art-of-the-insane-radio-show-kscl-913-fm-may-22-2007/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2Frev-eddie-giles-on-art-of-the-insane-radio-show-kscl-913-fm-may-22-2007%2F" width="100%"></iframe>
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<br />
Track listing:<br />
[00:13:10] PILGRIM JUBILEE SINGERS - Stretch Out (Peacock 3405, 1960)<br />
[00:25:20] EDDY GILES - Losin’ Boy (Murco 1031, 1967)<br />
[00:28:40] EDDY “G” GILES AND THE JIVE 5 - While I’m Away (Baby, Keep the Faith) (Murco 1033, 1967)<br />
[00:31:05] EDDY “G” GILES - Music (Murco 1037, 1968)<br />
[00:40:15] EDDY GILES - So Deep In Love (Silver Fox 9, 1969)<br />
[00:44:40] EDDIE GILES - Losing Boy (Stax 103, 1971)<br />
[00:46:45] EDDIE GILES - Are You Living With The One You're Loving With (Alarm 106, 1973)<br />
[00:54:00] DR. W. ELBERT “EDDIE” GILES & FAMILY - I’m A Winner Now (Thank You Lord 3491, 2003)Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-54872763521819598812019-01-17T21:54:00.000-06:002019-01-17T21:54:19.700-06:00SHREVEPORT GOT A HOLD ON ME: OUR CITY'S SONGS (1923-1980)<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-AFQUPCEGNPs/XD_xnBfvsZI/AAAAAAAAEBA/8y-59sDVCNMS87qu29QSfAw_nMXyqlN8QCLcBGAs/s1600/ShreveportGotAHoldOnMe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://2.bp.blogspot.com/-AFQUPCEGNPs/XD_xnBfvsZI/AAAAAAAAEBA/8y-59sDVCNMS87qu29QSfAw_nMXyqlN8QCLcBGAs/s320/ShreveportGotAHoldOnMe.jpg" width="320" /></a></div>
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<br /></div>
<br />
SHREVEPORT GOT A HOLD ON ME: OUR CITY'S SONGS (1923-1980)<br />
Compiled in December 2011, liner notes revised January 2019.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/7-shreveport-got-a-hold-on-me-our-citys-songs-1923-1980/">https://www.mixcloud.com/shreveportsongs/7-shreveport-got-a-hold-on-me-our-citys-songs-1923-1980/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F7-shreveport-got-a-hold-on-me-our-citys-songs-1923-1980%2F" width="100%"></iframe>
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<br />
1 CLARENCE WILLIAMS' BLUE FIVE Shreveport Blues (Okeh 40006, 1923)<br />
Composed by Annie “Bootsy” Potter and published as sheet music by Clarence Williams. Pianist CW also recorded it twice in 1923...first with vocalist Virigina Liston, then this instrumental version.<br />
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2 ELZADIE ROBINSON The Santa Claus Crave (Paramount 12573, 1927)<br />
According to local bluesman Jesse Thomas, ER came from the Logansport/Shreveport area before moving to Chicago. Features Bob Call on piano.<br />
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3 LEON'S LONE STAR COWBOYS Mistreated Blues (Decca 5423, 1935)<br />
Around 1934, Leon Chappelear parted ways with Bob and Joe Shelton in the Lone Star Cowboys and assembled Leon's Lone Star Cowboys. LLSC specialized in upbeat western swing and hosted a radio show on KWKH. This song, from the group's first recording session, occurred one month before a car wreck injured Leon.<br />
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4 BUDDY JONES Shreveport County Jail Blues (Decca 5490, 1937)<br />
Policemen Jones yodels about a partygoer sent to jail. Don't let the title's geographical incongruities fool you. Shreveport, a city, is located in Caddo Parish. The song has origins in two earlier recordings -- Hattie Burleson’s “High Five Blues” (1930) and Gene Autry’s "Dallas County Jail Blues" (1931).<br />
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5 PAUL HOWARD AND HIS ARKANSAS COTTON PICKERS The Boogie's Fine Tonight (King 871, 1950)<br />
Itinerant PH bounced from Phoenix, to Houston, to Nashville, before moving to Shreveport in 1950. His band hosted daily broadcasts on KTBS and KCIG; they also frequently played dances around town.<br />
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6 PETE MCKINLEY & COUNTRY JIM Shreveport Blues (1952)<br />
Art Rupe (who ran Specialty Records in Los Angeles) worked with Stan Lewis to record Shreveport bluesmen in 1952. This song, like many of the recordings, went unreleased until finding its way onto a compilation album decades later. Look for "cold chill" inducing women at the intersection of McNeil and 4th streets.<br />
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7 JACK FORD That's All You Gotta Do (Chess 4858, 1954)<br />
JF spent time playing guitar for Curley Williams and his Georgia Peach Pickers before going solo. One of the few country 45s released by Chess Records, who received the recording from Stan Lewis.<br />
<br />
8 BENNY BARNES Poor Man's Riches (1956)<br />
BB, from Beaumont, crossed paths with songwriter Dee Marais, and their partnership produced this song. It reached #2 on the Billboard country charts and also earned him a spot on the Louisiana Hayride. Here's a live rendition performed on the Hayride.<br />
<br />
9 OCIE SMITH Slow Walk (Cadence 1304, 1956)<br />
Born 30 miles south of town in Mansfield, Smith was living in NYC at the time of this recording. Nevertheless, Shreveport concert promoters emphasized his local familial connections whenever he played town. This song, which features an orchestra conducted by Leroy Kirkland, originally appeared as an instrumental hit for its composer, saxophonist Sil Austin.<br />
<br />
10 DALE HAWKINS Cross-Ties (Checker 900, 1958)<br />
DH takes a break from vocals to let his band shine on this instrumental. The band includes: Roy Buchanan (guitar), Mark Mathis (bass), D.J. Fontana (drums), Shelton Bissell (saxophone).<br />
<br />
11 TOMMY CASSEL Go Ahead On (Cassel 58, 1958)<br />
From TC's first record, a self-released 45. According to him, the band included James Burton (guitar), "Coach" Floyd (bass), D.J. Fontana (drums), and Leon Post (piano).<br />
<br />
12 LARRY LINCOLN That'll Hold You (Fido 11, 1959)<br />
Larry Bamburg preferred playing country fiddle to rock and roll. Nevertheless, he did cut this upbeat song, recorded at RAM Studios and released by Dee Marais. Features LB's cousin Shelton Bissell (saxophone) and Margaret & Rose Lewis (backing vocals).<br />
<br />
13 BUDDY PAUL This Old Town (Is Such A Lonely Place) (Murco 1018, 1960)<br />
Melancholy country by this KCIJ disc jockey. Songwriter credits list Murco owner Dick Martin. BP performed on the Louisiana Hayride and previously sang with the Four B's.<br />
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14 'JUNE BUG' BAILEY Lee Street Blues (Jo 2180, 1962)<br />
Q: What do you get when you combine Mira Smith's RAM Recording Studio, the young daughter of a barbecue restaurant on Greenwood Road, and an Alexandria songwriter's composition about a wino? A: Lee Street Blues.<br />
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15 GENE FREEMAN Fidel Castro (Tomco 1066, 1963)<br />
Around the time of the Cuban Missle Crisis, GF recorded this topical novelty featuring a prominent banjo.<br />
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16 FLOYD CRAMER Satan's Doll (RCA Victor 47-8217, 1963)<br />
FC worked as pianist for the staff band on the Louisiana Hayride from 1951-1955. Then, he moved to Nashville and participated in countless recording sessions. On this record, his usual easy listening country style is paired with a slightly ominous sound.<br />
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17 THE SENSATIONAL JONES SINGERS OF SHREV., LA. My Redeemer Live (Rapturea 1010, circa 1965)<br />
A local gospel group with a release on this Dallas label. Songwriter credits list "J. Jennings."<br />
<br />
18 MARCUS BROWN I'm Comin' Home (Peermont 1050, 1968)<br />
MB recorded only one 45, which appeared on this subsidiary label of Murco. MB also appears as producer on a record issued by Rufus Brown on Brown's Records.<br />
<br />
19 JOHNNY DUNCAN Shreveport To L.A. (Columbia 4-44864, 1969)<br />
Texan/Nashvillian JD cut this B-side about escaping a Shreveport woman.<br />
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20 THE FAMILY TREE Electric Kangaroo (Paula 329, 1970)<br />
Bubblegum pop from a local group that released one 45 and one album. Produced by Jerry Strickland.<br />
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21 THE KING COBRAS Get Frogish Pt. 1 and Pt. 2 (Custom Sound 1010, circa 1970)<br />
Funk from an enigmatic local group with one release to their name. In 1969, they performed for Shreveport's NAACP "Soul Festival" at the Municipal Auditorium.<br />
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22 BAD HABITS If The Whole World Stopped Loving (Paula 342, 1971)<br />
At least three groups connected to Shreveport shared this band name in the late 1960s/early 1970s. Whatever their exact identity, this song was produced by Gene Kent and written by locals Jerry Strickland and Don Griffin.<br />
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23 STEVE YOUNG Lonesome, On'ry And Mean (Reprise 2081, 1972)<br />
Nomadic country songwriter SY's tale of a Greyhound bus trip with a Shreveport stop. Waylon Jennings popularized this song the following year.<br />
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24 TOMMIE YOUNG Do We Have A Future (Soul Power 3316, 1973)<br />
Hailing from Dallas, TY caught the attention of Bobby Patterson, who ran Soul Power Records with Jerry Strickland. Her songs (largely written by Patterson and Strickland) yielded six 45s and one album...all recorded in Sound City Studio at 3316 Line Ave.<br />
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25 DIANA EVANS Country Pickin' Man (Misti Dawn 1002, circa 1980)<br />
DE relays the tale of a successful country musician that likes rock and roll, but will never make it as a rock star. The grass is always greener...<br />
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26 GOSPEL SPIRITUALS When My Days Are Done (Custom Sound 348, circa 1980)<br />
A local group, a local recording (Southern Star Studio), a local record label, a "J.C. Wells" as songwriter and soloist.<br />
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27 FRED WARING AND HIS PENNSYLVANIANS Fight To Win That Fight (1942)<br />
Popular bandleader FW cranked out dozens of fight songs for colleges and universities in the 1930s. Here's one for the students at Centenary College of Louisiana. "Sneeze, thumb your nose, tell a joke like a gentleman." Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-26337995066198066162018-12-22T10:29:00.001-06:002018-12-22T10:47:38.134-06:00SHREVEPORT TWIST: OUR CITY'S SONGS (1897-1982)<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-5sF46HnM_SY/XB5kgxCS7pI/AAAAAAAAEAU/mXsPBsub6Ns9kiVUKkKe3IvwN1XjUxkMwCLcBGAs/s1600/ShreveportTwistCover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://3.bp.blogspot.com/-5sF46HnM_SY/XB5kgxCS7pI/AAAAAAAAEAU/mXsPBsub6Ns9kiVUKkKe3IvwN1XjUxkMwCLcBGAs/s320/ShreveportTwistCover.jpg" width="320" /></a></div>
<br />
SHREVEPORT TWIST: OUR CITY'S SONGS (1897-1982) <br />
Compiled in December 2010, liner notes revised December 2018.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
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Listen online: <a href="https://www.mixcloud.com/shreveportsongs/6-shreveport-twist-our-citys-songs-1897-1982/">https://www.mixcloud.com/shreveportsongs/6-shreveport-twist-our-citys-songs-1897-1982/</a><br />
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1 SOUSA'S BAND Levee Revels: An Afro-American Can Hop (E. Berliner's Gramophone 38Z, circa 1897)<br />
Composed by William Christopher O'Hare, the music director of Shreveport's Grand Opera House in the 1890s. It represents one of the earliest recordings connected to O'Hare and was performed by the band of the "March King," John Philip Sousa. Sheet music title substitutes “Cane Hop” for “Can Hop.”<br />
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2 EDDIE & OSCAR Nok-Em-All (Victor 23324, 1932)<br />
Ed "Dizzy Head" Schaffer and Oscar "Buddy" Woods frequently played with Jimmie Davis on his blues recording of the 1930s. These guitarists also cut a few songs as a duo; here's one.<br />
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3 JIMMIE DAVIS Bed Bug Blues (Decca 5206, 1936)<br />
During the 1944 Louisiana governor's race, JD's opponents decried his bawdy blues recordings, this one in particular. Still, he won. Guitar, yodeling, and backing vocals by his friend, Buddy Jones.<br />
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4 THREE FIFTEEN AND HIS SQUARES Drop My Stuff (Vocalion 03560, 1937)<br />
Shreveport bandleader David Bluntson also recorded "Saturday Night on Texas Avenue." This song comes from the same recording session in Hot Springs, Arkansas.<br />
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5 BILL NETTLES AND HIS DIXIE BLUE BOYS Shake It And Take It (Vocalion 03634, 1937)<br />
Prolific songwriter and musician BN was part of Shreveport's country music scene during the 1930s and 1940s. This song appeared on his first record.<br />
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6 CLAUDE LUTER ET SES LORIENTAIS Shreveport Blues (Swing 272, 1948)<br />
Championing traditional jazz, Parisian CL served as a disciple and accompanist of New Orleans' Sidney Bechet. Here his group performs a song originally recorded by Clarence Williams' Blue Five that featured Bechet.<br />
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7 KITTY WELLS WITH JOHNNIE & JACK Love Or Hate (circa 1949)<br />
Johnnie and Jack with the Tennessee Mountain Boys and Kitty Wells moved to Shreveport in 1948 to host daily broadcasts on KWKH and serve as one of the original groups performing on the Louisiana Hayride. This recording comes from one of their radio programs.<br />
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8 SHOT JACKSON AND HIS STRING BAND I'm Trading You In On A Later Model (Specialty 706, 1952)<br />
Part of the KWKH/Louisiana Hayride scene, SJ played dobro and steel guitar for such musicians as the Bailes Brothers, Webb Pierce, Red Sovine, and Johnnie & Jack. Here's one of his earliest recordings issued under his own name and written by Johnnie and Jack. By the late 1950s, he had moved to Nashville and co-founded the ShoBud guitar manufacturing company.<br />
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9 MARGIE SINGLETON One Step (Nearer To You) (Starday 287, 1957)<br />
From MS's first record, a song written by Dee Marais. MS married record producer and label owner Shelby Singleton and performed on the Louisiana Hayride.<br />
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10 TOMMY BLAKE AND THE RHYTHM REBELS Lordy Hoody (Sun 278, 1957)<br />
One of Shreveport's premier rockabilly artists. Recorded by Sam Phillips at TB's first Sun Records recording session.<br />
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11 MULE THOMAS Blow My Baby Back Home (Hollywood 1091, 1958)<br />
Jesse Thomas in disguise. Recorded shortly after he moved back to Shreveport after a 10+ year stint in California.<br />
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12 JERRY HAWKINS Swing Daddy Swing (Ebb 152, 1958)<br />
Brother to Dale, JH performed on the Bossier Strip and cut a few 45s. This song features sisters Rose and Margaret Lewis on backing vocals plus Joe Osborn on guitar. Hawkins later served as president of the city's American Federation of Musicians, Local 116.<br />
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13 T-V SLIM AND HIS HEARTBREAKERS To Prove My Love (Speed 6865, 1958)<br />
In 1945 Oscar Wills opened a radio repair shop on Caddo Street. Later, he expanded to tv repair and launched a recording career as TV Slim. This song, from his first record, shares the composer credit with record man Stan Lewis.<br />
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14 BUDDY WHITE AND THE KNIGHTS Teen Age Ball (Murco 1017, 1959)<br />
A short-lived group formed in Shreveport by two ex-members of Gene Vincent and the Blue Caps. They released one 45.<br />
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15 THE LONESOME DRIFTER Eager Boy (K 5812, 1958)<br />
Thomas Johnson (aka LD), hailed from the Bastrop/Monroe, La, area. He connected with Shreveport's Mira Smith, who operated the RAM Recording Studio, RAM Record Shop, and RAM record label. Smith released this on her other label, K.<br />
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16 JOHNNY MANN WITH THE GAYS Where Do We Go From Here (Shreve 1214, 1960)<br />
The same JM that led the prolific 1960s Johnny Mann Singers? Probably not. The same Gays that recorded a session with Johnny Horton, then later changed their name to the Kimberlys and recorded with Waylon Jennings? Yes. A record label with a Shreveport address? Definitely!<br />
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17 TERRY LEE Shreveport Twist (PAMS, 1961)<br />
Only one song could adequately complement the flip side of "Shreveport My Home Town." This is it.<br />
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18 LOUISIANA RED Ride On Red, Ride On (Roulette 4469, 1963)<br />
Escaping the segregated South's injustices, the main character in this song travels to New York. His route includes a stop in Shreveport with a meal on the street.<br />
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19 RUFUS BROWN Evil Eyes (Brown's 100, circa 1965)<br />
This record's label provides an address in the Cedar Grove neighborhood. It also indicates the producer is Marcus Brown, who recorded a 45 on another local label -- Peermont.<br />
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20 CURTIS GRIFFIN AND HIS BAND I Gotta Lump (Jewel 755, 1966)<br />
Blues guitarist CG was born in nearby Poole, La, and moved to Los Angeles in the early 1950s. For this record, he partnered with two Shreveporters: songwriter Ferdinand "Fats" Washington and record label owner Stan Lewis.<br />
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21 THE MONKS La-Do-Da-Da (Magnolia 101, circa 1969)<br />
A raucous Dale Hawkins cover recorded at Custom Sound Studio. Local lore suggests the garbled lyrics, which may contain an alcohol reference, resulted in the song being pulled from radio play. Vocalist Bill Wray later achieved fame as a songwriter and music producer.<br />
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22 THE RESIDENTS Cantaten To Der Dyin Prunen (1971)<br />
Some of these enigmatic avant-garde noisemakers grew up in Shreveport. After relocating to San Francisco, their musical adventures blossomed. This song comes from one of their earliest demo recordings.<br />
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23 SHAY HOLIDAY Fight Fire With Fire (Soul Power 107, 1972)<br />
Soul Power Records, primarily a vehicle for songwriters and producers Bobby Patterson and Jerry Strickland, issued releases recorded at Sound City Studios on Line Avenue. Here's a song from their first release.<br />
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24 ROSCOE ROBINSON We're Losing It Baby (Paula 378, 1973)<br />
Another song written by Patterson and Strickland and recorded at Sound City. RR performed in gospel groups before turning to secular music in the 1960s. Based in Chicago, he hooked up with Stan Lewis long enough to release a few records in the early 1970s.<br />
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25 GOSPEL TRAVELERS Jesus Is Watching You (Hy Sign 107, circa 1975)<br />
Industrious record label owner, record store operator, and music publisher Dee Marais released this 45. Monroe Johnson handles lead vocals.<br />
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26 TOBY COOPER & BRICK STREET The Guru (Judy 333, circa 1975)<br />
One of TC's earliest musical endeavors involved performing in the house band for a weekly KTBS TV talent show in the mid-1950s. Since then, he's operated a night club and played with many regional bands. This song was recorded locally at Southern Star Studios.<br />
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27 B. L. BLADE By His Grace We've Come A Long Way (Part I and II) (B. L. B., 1982)<br />
A self-released live recording by Rev. Brady Blade featuring his congregation, Zion Baptist Church. Included are both sides of the 45.Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-31464163313241538202018-11-18T16:36:00.002-06:002018-11-18T16:36:25.113-06:00SHREVEPORT STOMPS: OUR CITY'S SONGS (1924-1990)<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-W7_rwhuPdPw/W_HkP-VBbeI/AAAAAAAAD-s/PaspokcM_zgIhwWgGX9EtUYh_UGPkq2JQCLcBGAs/s1600/ShreveportStompsCover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="486" height="320" src="https://2.bp.blogspot.com/-W7_rwhuPdPw/W_HkP-VBbeI/AAAAAAAAD-s/PaspokcM_zgIhwWgGX9EtUYh_UGPkq2JQCLcBGAs/s320/ShreveportStompsCover.jpg" width="320" /></a></div>
<br />
SHREVEPORT STOMPS: OUR CITY'S SONGS (1924-1990)<br />
Compiled in December 2009, liner notes revised November 2018.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/5-shreveport-stomps-our-citys-songs-1924-1990/" target="_blank">https://www.mixcloud.com/shreveportsongs/5-shreveport-stomps-our-citys-songs-1924-1990/</a><br />
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1 FERD (JELLY ROLL) MORTON Shreveport Stomps (Gennett 5590, 1924)<br />
Having honed his piano skills in New Orleans' Storyville neighborhood during the early 1900s, Morton recorded multiple versions of the song that boasts our city's name. This early version is a solo performance and perhaps the only one to pluralize "Stomp."<br />
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2 HITER COLVIN Rabbit Up The Gum Stump (Victor 40239, 1929)<br />
Born near Dubach, Louisiana, Colvin played at dances and fiddle contests throughout the North Louisiana/Southern Arkansas/East Texas region.<br />
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3 JOHN MCGHEE & FRANK WELLING Hello World Doggone (Hello World Broadcasting Corp. unnumbered, 1930)<br />
Though un-credited on the record label, the musicians are McGhee and Welling. These prolific recording partners are singing about W. K. Henderson and his radio station, KWKH.<br />
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4 KING SOLOMON HILL The Gone Dead Train (Paramount 13129, 1932)<br />
The tangled biography of KSH identifies him as Joe Holmes from the area of Sibley/Minden, Louisiana. Holmes also had connections to blues musicians in Shreveport and Dallas.<br />
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5 LONE STAR COWBOYS Just Because (Bluebird 6052, 1933)<br />
Having formed in Tyler, Texas, the LSC moved to Shreveport in the early 1930s to perform on KWKH. They also performed and recorded with Jimmie Davis during the 1930s. After the LSC breakup, members splintered into the Shelton Brothers and Leon's Lone Star Cowboys.<br />
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6 BLACK IVORY KING (DAVE ALEXANDER) The Flying Crow (Decca 7307, 1937)<br />
The Flying Crow was a train line connecting Port Arthur, Texas, to Kansas City, Missouri. Alexander notes a few stops along the way including the crew change in Shreveport.<br />
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7 CHARLES MITCHELL AND HIS ORCHESTRA Mean Mama Blues (Bluebird 33-0508, 1941)<br />
Known for once sharing the writers' credit with Jimmie Davis on "You are My Sunshine," steel guitarist Mitchell performed in Davis’s band during the 1930s and 1940s. A handful of records were issued under Mitchell's name such as this one.<br />
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8 CURLEY WILLIAMS AND HIS GEORGIA PEACH PICKERS Barbecue Rag (Columbia 20633, 1949)<br />
Originally from Georgia, this itinerant group called Shreveport home for the latter half of 1948. During that time, they hosted a radio show on KWKH and performed on the Louisiana Hayride.<br />
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9 WEBB PIERCE AND HIS SOUTHERN VALLEY BOYS High Geared Daddy (4 Star 1413, 1949)<br />
Hailing from Monroe, Louisiana, Pierce moved to Shreveport in the mid-1940s. While working at Sears, he began singing on the radio and playing at dances. In 1949, he joined the Louisiana Hayride.<br />
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10 PERCY MAYFIELD AND ORCHESTRA Louisiana (Specialty 432, 1952)<br />
Originally from Minden, Louisiana, Mayfield found success after moving to Los Angeles. He suffered a serious car accident in 1953. Still, he continued singing and writing songs such as "Hit the Road Jack" for Ray Charles in 1961.<br />
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11 OWEN PERRY All Dressed Up With No Place To Go (Capitol 2751, 1953)<br />
After moving to Shreveport in the early 1940s, Perry performed with Harmie Smith's group on KWKH, then began recording under his own name in 1947. This song was recorded at the KWKH radio studio and includes Ace Lewis on drums<br />
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12 CAROLYN BRADSHAW Oh! I Like It (Chess 4861, 1954)<br />
Chess Records issued a handful of country releases around 1954 thanks to a relationship with Stan Lewis and the deep pool of talent on the Louisiana Hayride. Here's a song from one such record.<br />
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13 CHICO CHISM WITH JERRY AND GARLAND Romp and Stomp (Clif 102, 1957)<br />
In his younger years, drummer Chism apeared on a few Shreveport 45s; he went on to make a name for himself in the Chicago blues scene. The 1957 Billboard magazine reviewed this song: "The primitive, out-of-tune rumbling on this waxing is bad enough to make it dangerous."<br />
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14 JERRY KENNEDY Teenage Love Is Misery (Decca 9-30577, 1958)<br />
Prior to becoming a Nashville music producer, Kennedy took guitar lessons from Tillman Franks, attended Byrd High School, and performed on the Louisiana Hayride. This song, written by Franks, was recorded by Kennedy at age 17.<br />
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15 GENE GALIMORE Sweet Jungle Love (Jolly 111, circa 1960)<br />
Perhaps the songwriter's credit reveals this musician's true personality: Eugene Krock. Publishing credit Su-Ma indicates Stan Lewis's involvement.<br />
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16 JIMMY WRAY Better Do It Now (circa 1960)<br />
Wray recorded a few demo songs under the guidance of Harding Guyon Desmarais (aka Dee Marais). Marais ran the Bayou Record Shop on 70th Street, co-founded Murco Records, and also operated music publishing companies.<br />
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17 JOHN GREER Honey, Why (MOA 1002, 1960)<br />
When Wilson Evans (owner of the Music of America record label) filed the copyright on this song, Greer's address was listed as a life insurance company's office on Sprague Street. Who is Greer? I suspect it's not the R&B saxophonist of the 1950s with the same name.<br />
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18 BILLIE JEAN HORTON Here Comes Trouble (Custom 103, 1962)<br />
From Bossier City, BJH, the widow of Hank Williams and Johnny Horton, launched a musical career, too. Here's one of her early songs.<br />
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19 CHARLES PENNYWELL WITH THE STEPHEN SCOTT SINGERS Web of Love (Smash 1794, 1963)<br />
After singing on a couple Fairlanes 45s on Lucky Seven Records, Pennywell cut this record and received top billing. Two from Lucky Seven were involved here, too: Dee Marais ran Heads Up publishing and Shelby Singleton ran Mercury Records' subsidiary, Smash Records.<br />
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20 JIMMY DOBRO Swamp Surfer (Philips 40137, 1963)<br />
Our city's favorite session musician in disguise: James Burton.<br />
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21 JERRY ANN AND LAS VEGAS CATS Go Go Girl (Red River 17057, circa 1965)<br />
Released on Jesse Thomas's record label, this song also includes his vocals and most likely his guitar playing.<br />
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22 TOM & THE CATS The Wine Song (Jewel 750, 1965)<br />
With instruments purchased at Walker & Rodie Music (two members were Rodie's sons), T&TC played teen dances and fraternity parties. A 1966 Shreveport Times article suggests the band caught flack for the subject matter of this song.<br />
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23 THE SENSATIONAL GOLDEN KNIGHTS OF SHREVEPORT, LA. Thank You Jesus (Hosanna 8024, circa 1965)<br />
Local group, Dallas record label, "J. Richards" as the songwriter. Who were they? Gene West (later of the Relatives) sang with this group at one point.<br />
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24 LONNIE AND FLOYD You Got To Feel It (Jewel 781, 1967)<br />
From the first of two 45s by Floyd Beard and Wister LeFlore on Jewel. Label credits reveal it was recorded at Sound City.<br />
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25 GEATER DAVIS I Know (My Baby Loves Me) (House of Orange 2407, 1971)<br />
After settling in Shreveport, Vernon "Geater" Davis fell into the city's 1960s soul/r&b scene, which included Reuben Bell, Elgie Brown, and Eddie Giles. Davis began recording under his own name in 1970, and cut this song (co-written by Bell) at Sound City Studios.<br />
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26 FEATHER DA GAMBA Surprise (1972)<br />
Unusual, lo-fi rock with baby crying noises. From their only record, a self-released LP. Some members currently perform in The Rockin' Redeyes.<br />
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27 ADOLPH & THE ENTERTAINERS My Baby's Gone (Alarm 101, circa 1972)<br />
Lead vocals by Barbara Thomas. The first of two 45s recorded for Alarm Records by Adolph Washington and his band. Perhaps these were the group's only releases.<br />
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28 WORLD WONDERS Funky Washing Machine (Alarm 21644, circa 1972)<br />
Produced by Dee Marais and recorded at Sound/City Studios, located at 3316 Line Ave. The studio track identification chart for this recording session lists band members' addresses in Leesville and Monroe, Louisiana.<br />
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29 LOYD JONES Trip To CCI (Patricia 1516, 1981)<br />
Caddo Correctional Institute, the parish jail: a place you don't want to be sent. Replaced by the Caddo Correctional Center in 1995; another place you don't want to be sent.<br />
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30 ARTEE L. PHILYAW Long Journey To The Promised Land (Gospel Sound's Recording Co. 5366, 1990)<br />
In the 1940s, Philyaw and his quartet, The Echoes of Zion, sang over KWKH. Later, he worked as a radio announcer on KANB and KIOU. Philyaw also served as a deacon at Mount Hermon Baptist Church. In the 1990s, he released a couple 45s of his solo gospel material.<br />
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31 LOUISIANA HAYRIDE Theme Song (circa 1958)<br />
One could catch the Hayride most Saturday nights from 1948-1960 at the Municipal Auditorium or on KWKH. In the mid-1950s, it also aired overseas on United States Armed Forces radio stations. Here's the program's intro and outro theme.</div>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-67902955314667770372018-09-13T22:11:00.000-05:002020-04-25T15:04:40.062-05:00SHREVEPORT SIZZLERS: OUR CITY’S SONGS (1928-1985)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-ggFQaX6nr5M/W5sk8EujOMI/AAAAAAAAD9I/F2vBHExNKFAroLvbulQ43MMtcfbroWj6gCLcBGAs/s1600/shreveport%252Bsongs%252B2008%252Boutside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="486" height="320" src="https://1.bp.blogspot.com/-ggFQaX6nr5M/W5sk8EujOMI/AAAAAAAAD9I/F2vBHExNKFAroLvbulQ43MMtcfbroWj6gCLcBGAs/s320/shreveport%252Bsongs%252B2008%252Boutside.jpg" width="320" /></a></div>
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<br />
SHREVEPORT SIZZLERS: OUR CITY’S SONGS (1928-1985)<br />
Compiled in December 2008, liner notes revised September 2018.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/4-shreveport-sizzlers-our-citys-songs-1928-1985/">https://www.mixcloud.com/shreveportsongs/4-shreveport-sizzlers-our-citys-songs-1928-1985/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F4-shreveport-sizzlers-our-citys-songs-1928-1985%2F" width="100%"></iframe>
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1 SHREVEPORT SIZZLERS Nervous Breakdown (Okeh 41561, circa 1932)<br />
In the early 1930s, Okeh released two records by the Shreveport Sizzlers. These were actually re-releases of recordings previously issued in 1929 on Columbia by Clarence Williams’ Jazz Kings. Williams was a blues and jazz pioneer from New York by way of Chicago and New Orleans.<br />
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2 TAYLOR-GRIGGS LOUISIANA MELODY MAKERS Big Ball Uptown (Victor 21768, 1928)<br />
Hailing from Arcadia, this group regularly performed around North Louisiana and broadcast over radio station KWKH. Containing two Taylors and five Griggs, it was a combined family affair.<br />
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3 JOE SHELTON Match Box Blues (Decca 5177, 1935)<br />
After leaving the Lone Star Cowboys, Bob and Joe Attlesey began performing and recording as the Shelton Brothers. In this song popularized by Blind Lemon Jefferson, they interject a reference to Bossier City, which is located across the Red River from Shreveport.<br />
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4 OSCAR WOODS (THE LONE WOLF) Evil Hearted Woman Blues (Decca 7904, 1936)<br />
Woods comprised half of the Shreveport Home Wreckers, played guitar on Jimmie Davis’s early recordings, and recorded with the Wampus Cats. Here’s one of his solo recordings.<br />
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5 MODERN MOUNTAINEERS Bad Blues (Bluebird 7671, 1937)<br />
This Houston group relocated to Shreveport in 1937 to work for KWKH. It was a short-lived arrangement, but the experience lasted long enough to influence the lyrics to this song.<br />
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6 BOOTS DOUGLAS AND HIS BUDDIES ORCHESTRA East Commerce Stomp (Bluebird 10036, 1938)<br />
Hailing from San Antonio, B&HB regularly toured to Shreveport in the late 1930s. They even snagged a musician from our city – trumpeter Sam Player – who can be heard on this song.<br />
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7 NOAH MOORE Jerry's Saloon Blues (1940)<br />
Jerry’s Saloon on Texas Avenue and the moving picture show are places to avoid if you’re Moore’s woman. A relative of Lead Belly, Moore recorded this in Oil City for John Lomax, who was visiting town collecting songs.<br />
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8 HARMIE SMITH AND THE SOUTHERN SWINGSTERS Weary Trouble on My Mind (RCA-Victor 20-1996, 1945)<br />
Having performed on radio stations in West Virginia, Smith migrated to Shreveport where he played on KWKH and was an original member of the Louisiana Hayride. For this recording, his band features both Webb Pierce and Owen Perry on guitar. <br />
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9 PEE WEE HUGHES AND THE DELTA DUO Shreveport Blues (1949)<br />
Hughes recorded four songs in New Orleans, though only two were released at the time. They appeared on a 78 for DeLuxe Records. Here’s one of the unreleased songs.<br />
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10 ZEKE CLEMENTS Louisiana (MGM 10552, 1949)<br />
Clements worked for many radio programs around the country over the years. From 1948-1950 he hosted radio shows on KWKH and performed on the Louisiana Hayride. He’s also known for providing the voice of Bashful in Snow White and the Seven Dwarfs.<br />
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11 CAROL WILLIAMS Just For Awhile (RAM 100, circa 1955)<br />
A number of firsts: the first release on Mira Smith’s RAM label, the first record for Carol Williams, and the first recording to feature James Burton. Williams married another Shreveporter, Billy Sanford, who went on to become a session guitarist in Nashville.<br />
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12 MAYLON HUMPHRIES Worried 'Bout You Baby (1957)<br />
Though Humphries recorded this song over five times (including for Chess Records), it remained unissued until the mid-1970s. His pal, James Burton, plays guitar on this Arthur “Big Boy” Crudup tune. Humphries later cut 45s under the name Maylon D. Witt.<br />
<br />
13 GEORGE JONES Nothing Can Stop My Loving You (1958)<br />
Jones was a Louisiana Hayride member from 1955-1956, then he returned for a few shows in 1958. This live recording is from the latter period and includes an introduction by Faron Young.<br />
<br />
14 THE FAIRLANES Johnny Rhythm (Lucky Seven 102, 1959)<br />
Here’s a song from this vocal group’s first 45, which was released on a short-lived label operated by Dee Marais and Shelby Singleton. One member, Charles Pennywell, went on to cut a 45 for Smash Records in 1963 and is still performing these days in Las Vegas.<br />
<br />
15 JERRY AND BRAD The People Hater (Shad 5009, 1959)<br />
J&B regularly appeared on the Louisiana Hayride during the fall of 1959. Brad Ingles had been performing on the program since 1957 as a member of the Four B’s. The other half of this duo is likely to be Jerry Kennedy.</div>
<div>
<br />
16 THE FIVE JETS The Shake (Jewel 739, 1964)<br />
This group hailed from Alabama and regularly performed on the Bossier Strip at the Sho-Bar in the 1960s. Dale Hawkins produced this record.<br />
<br />
17 JERI WILSON The Tease (Part 1 and 2) (Red River 101, circa 1965)<br />
The songwriting credit and the publishing information on this record reveal Jesse Thomas’s involvement. In fact, he even released the record on his own label. It seems likely that he’s also the one playing guitar on this song. <br />
<br />
18 DON & JERRY WITH THE FUGITIVES In the Cover of Night (Fabor 140, 1965)<br />
Primarily known as songwriters, Don Griffin and Jerry Strickland perform on this record. In the early 1970s, Strickland worked with Bobby Patterson to write and produce songs for the Paula label. He also co-founded two Shreveport labels: Soul Power and Alarm.<br />
<br />
19 JERRY MCCAIN 728 Texas (Where The Action Is) (Jewel 753, 1965)<br />
After spending over 10 years cutting records for a variety of labels, McCain hooked up with Stan Lewis for five 45s. The title of this instrumental references Lewis’s record shop address. “728...Don’t Be Late!”<br />
<br />
20 NAT STUCKEY Paralyze My Mind (Paula 243, 1966)<br />
East Texan Nat Stuckey joined the Louisiana Hayride during its later years. He signed with Stan Lewis’s Paula Records and became the label’s most prolific country musician. Be sure to listen for the reference to Kelly’s Truck Stop, which was located west of town on I-20.<br />
<br />
21 ABE & MARION ESTER AND THE CASANOVAS That's Why I'm So Sad (Murco 1036, 1967)<br />
Recording with a group as well as solo, the Esters were two of Murco’s most active musicians. This song comes from their first 45 and features Marion on vocals.<br />
<br />
22 NOEL ODOM & THE GROUP Pardon My Complete Objection (Uptown 763, 1969)<br />
Having performed at high school dances, teen clubs, and the Bossier Strip, this group travelled to Memphis to record their first record at the Sam C. Phillips Recording Studio. They went on to release two additional 45s.<br />
<br />
23 REUBEN BELL What's Happening To The World (House of Orange 2403, 1971)<br />
After recording for Murco in the late 1960s, Bell hooked up with Allen Orange’s label in Nashville. This topical soul ballad was co-written with Geater Davis.<br />
<br />
24 BOBBY PATTERSON Right On, Jody (Paula 352, 1972)<br />
Coming from Dallas, Patterson was hired in the early 1970s as an A&R man for Stan Lewis’s Jewel Record Inc. He also got involved with the Sound City recording studio and began recording for Lewis. This song, from his first Paula 45, contains the songwriting credits of three other locals: Jerry Strickland, Jerry Beach, and Reuben Bell.<br />
<br />
25 HUMMINGBEES OF SHREVEPORT I'm Not Tired Yet (Memorial 1-4, 1973)<br />
Don Logan, long-time KEEL DJ and Vice President of Sales at Stan Lewis’s Jewel Record Inc., founded a gospel record label in the 1970s. Here’s one of the few local groups to have a release on Memorial.<br />
<br />
26 GAY POPPA Mercy Baby (Custom Sound 1007, circa 1970)<br />
Sonrose Rutledge (aka Gay Poppa) began DJ’ing for KOKA in 1963 and later worked as the station’s manager. Here’s a song from his one and only record.<br />
<br />
27 E. T. S'port City Rock (De-Pact 317, circa 1985)<br />
Behind the abbreviated moniker is Earl Turner. Disco-funk recorded at Southern Star Studio. Turner still performs and is based out of Las Vegas.</div>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-53340583052606914382018-08-12T07:30:00.000-05:002018-08-12T07:30:02.180-05:00Stan Lewis on "Art of the Insane" radio show (December 12, 2006)<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-BkADlDPPSNA/W2-c-VXn7tI/AAAAAAAAD7o/UM9smeK6ELI6SXFaXKeg9p1fhjntgb6_gCLcBGAs/s1600/StanLewisArtOfTheInsane_KSCL913FM_20061212.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://4.bp.blogspot.com/-BkADlDPPSNA/W2-c-VXn7tI/AAAAAAAAD7o/UM9smeK6ELI6SXFaXKeg9p1fhjntgb6_gCLcBGAs/s320/StanLewisArtOfTheInsane_KSCL913FM_20061212.jpeg" width="320" /></a></div>
<br />
<br />
Stan Lewis on "Art of the Insane" radio show<br />
December 12, 2006<br />
Hosted by Chris Brown<br />
KSCL 91.3 FM (Shreveport, Louisiana).<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/stan-lewis-on-art-of-the-insane-radio-show-kscl-913-fm-december-12-2006/">https://www.mixcloud.com/shreveportsongs/stan-lewis-on-art-of-the-insane-radio-show-kscl-913-fm-december-12-2006/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2Fstan-lewis-on-art-of-the-insane-radio-show-kscl-913-fm-december-12-2006%2F" width="100%"></iframe>
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<br />
Track listing:<br />
[00:05:55] LOWELL FULSON - Reconsider Baby (Checker 804, 1954)<br />
[00:18:10] JIMMY LEE AND WAYNE WALKER - Love Me (Chess 4863, 1955)<br />
[00:21:55] DALE HAWKINS - Susie Q (1956 demo)<br />
[00:24:15] DALE HAWKINS - Four Letter Word (Checker 843, 1956)<br />
[00:31:20] BOBBY CHARLES - Everyone Knows (Jewel 728, 1964)<br />
[00:38:00] JERRY MCCAIN - 728 Texas (Where The Action Is) (Jewel 753, 1965)<br />
[00:44:15] LIGHTNIN' HOPKINS - Uncle Stan, The Hip Hit Record Man (Jewel 825, 1972)<br />
[00:56:35] THE PLAYBOYS - Boogie Children (Jewel 737, 1965)<br />
[01:04:30] THE UNIQUES - Run And Hide (Paula 245, 1966)<br />
[01:11:05] TOUSSAINT MCCALL - Nothing Takes The Place Of You (Ronn 3, 1967)<br />
[01:20:45] CARTER BROTHERS - Booze In The Bottle (Jewel 754, 1965)<br />
[01:31:05] AFRICAN MUSIC MACHINE - Black Water Gold (Pearl) (Soul Power 109, 1972)<br />
[01:44:45] FIVE BY FIVE - 15 Going On 20 (Paula 326, 1970)<br />
[01:53:20] THE UNIQUES - All These Things (Paula 238, 1966)Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-83245981498262267312018-06-20T23:17:00.001-05:002018-06-20T23:17:27.661-05:00SHREVEPORT FAREWELL: OUR CITY’S SONGS (1902-1977)<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-9IWo_zry-IE/WyslyNSddtI/AAAAAAAAD6U/fdFAfxY2VyMCXILpUMw5WqIwpPX5NTsBQCLcBGAs/s1600/%25233%2B-%2BShreveport%2BFarewell%2BOur%2BCity%2527s%2BSongs%2B%25281902-1977%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="458" height="320" src="https://2.bp.blogspot.com/-9IWo_zry-IE/WyslyNSddtI/AAAAAAAAD6U/fdFAfxY2VyMCXILpUMw5WqIwpPX5NTsBQCLcBGAs/s320/%25233%2B-%2BShreveport%2BFarewell%2BOur%2BCity%2527s%2BSongs%2B%25281902-1977%2529.jpg" width="320" /></a></div>
<br />
<br />
SHREVEPORT FAREWELL: OUR CITY’S SONGS (1902-1977)<br />
Compiled in December 2007, liner notes revised June 2018.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/3-shreveport-farewell-our-citys-songs-1902-1977/">https://www.mixcloud.com/shreveportsongs/3-shreveport-farewell-our-citys-songs-1902-1977/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F3-shreveport-farewell-our-citys-songs-1902-1977%2F" width="100%"></iframe>
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<br />
1 CLIMAX BAND Cottonfield Capers (Climax K12, circa 1902)<br />
2 RAMBLIN’ THOMAS Jig Head Blues (Paramount 12708, 1928)<br />
3 BLIND ANDY Hello World Song (Don't You Go ‘Way) (Hello World 001, 1930)<br />
4 MISSISSIPPI SHEIKS Sitting On Top Of The World (Okeh 8784, 1930)<br />
5 PELICAN WILDCATS Walkin' Georgia Rose (Columbia 15755-D, 1931)<br />
6 LITTLE BROTHER Shreveport Farewell (Bluebird 10953, 1936)<br />
7 BUDDY JONES Butcher Man Blues (Decca 5703, 1939)<br />
8 KITTY GRAY AND HER WAMPUS CATS I Can't Dance (Got Ants in My Pants) (Vocalion 03992, 1937)<br />
9 THE SUNSHINE BOYS She's A Rounder (Okeh 06540, 1941)<br />
10 BAILES BROS. Whiskey Is the Devil (In Liquid Form) (Columbia 37583, 1947)<br />
11 COUNTRY JIM Avenue Breakdown (Imperial 5062, 1950)<br />
12 TEX GRIMSLEY AND HIS TEXAS SHOWBOYS Walking The Dog (Pacemaker HB 1001, 1951)<br />
13 DAVID “PETE” MCKINLEY Shreveport Blues (Gotham 505, 1950)<br />
14 JOHNNY CASH So Doggone Lonesome and Southern Maid Commercial (1956)<br />
15 THE MONTCLAIRS All I Want Is Love (Sonic ER104, 1956)<br />
16 GENE WYATT Lover Boy (Ebb 123, 1957)<br />
17 LINDA BRANNON I'm Leavin’ (RAM 11829, 1958)<br />
18 THE BROTHERS Lazy Susan (Argo 5318, 1958)<br />
19 BANNY PRICE There Goes The Girl (Jewel 733, 1964)<br />
20 JIMMY & STAN Tahiti (Murco 1025, 1962)<br />
21 ALEX SNOOK JONES For My Worst (Blue Boy 1001, circa 1965)<br />
22 THE IN-CROWD Nothing You Do (Ronn 1, 1966)<br />
23 EDDIE “G” GILES AND THE JIVE 5 Eddy's Go-Go Train (Murco 1034, 1967)<br />
24 NORMA DRAGOO Nightmare (Custom Sound 142, circa 1970)<br />
25 ABRAHAM Funky Spider And Scared Fly (Hy Sign 3514, 1973)<br />
26 TED TAYLOR Ghetto Disco (Alarm 117, 1977)<br />
27 SMITH BROTHERS Pack Up (circa 1965)<br />
28 W. K. (OLD MAN) HENDERSON Hello World (Hello World 001, 1930)<br />
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<br />
1 CLIMAX BAND Cottonfield Capers (Climax K12, circa 1902)<br />
In the 1890s, William Christopher O’Hare served as the first music director of Shreveport’s Grand Opera House, taught music lessons, and composed and arranged music. He composed and dedicated this piece to the “March King,” John Philip Sousa, whose orchestra had performed and would later record other O’Hare compositions.<br />
<br />
2 RAMBLIN’ THOMAS Jig Head Blues (Paramount 12708, 1928)<br />
Older brother of Logansport/Shreveport bluesman, Jesse Thomas. Lyrics mention the “Dirty Thirty,” a cluster of homes once standing next to the railroad tracks behind the Calanthean Temple on Texas Avenue.<br />
<br />
3 BLIND ANDY Hello World Song (Don't You Go ‘Way) (Hello World 001, 1930)<br />
The prolific “Blind Andy” Jenkins recorded this song for (and about) KWKH’s owner, W. K. Henderson. He sings about subjects Henderson loved to hate – chain stores and the Federal Radio Commission (forerunner to the FCC). This song was paired on a record with a Henderson rant (see track 28).<br />
<br />
4 MISSISSIPPI SHEIKS Sitting On Top Of The World (Okeh 8784, 1930)<br />
Having traveled from central Mississippi, this group participated in Shreveport’s first commercial recording session. The song became widely popular, and was performed by other country and blues musicians.<br />
<br />
5 PELICAN WILDCATS Walkin' Georgia Rose (Columbia 15755-D, 1931)<br />
Hailing from Pelican, a town 50 miles south of Shreveport, the Wildcats performed at social functions throughout the region as well as on Shreveport radio stations KRMD, KWEA, and KWKH.<br />
<br />
6 LITTLE BROTHER Shreveport Farewell (Bluebird 10953, 1936)<br />
Eurreal Wilford “Little Brother” Montgomery was raised in Kentwood, La., and performed throughout South Louisiana and Mississippi before moving to Chicago. Here’s his instrumental tribute to our city.<br />
<br />
7 BUDDY JONES Butcher Man Blues (Decca 5703, 1939)<br />
Jones was a one-time member of the Pelican Wildcats, pal of Jimmie Davis, Shreveport policeman, and musician with a penchant for risqué hillbilly blues. The lyrics include references to two communities south of town – Cedar Grove and Forbing.<br />
<div>
<br /></div>
<div>
8 KITTY GRAY AND HER WAMPUS CATS I Can't Dance (Got Ants in My Pants) (Vocalion 03992, 1937)<br />
This group includes Oscar Woods on guitar (who recorded with Jimmie Davis in the 1930s). It is presumed that Davis helped them get into the studio and onto record. <br />
<br />
9 THE SUNSHINE BOYS She's A Rounder (Okeh 06540, 1941)<br />
The Shelton Brothers adopted this group name for their performances on KWKH as well as their recordings for Okeh Records. Though their lineup changed over the years, Jimmie Davis hired them to be his backing band while campaigning for governor in the 1940s.<br />
<br />
10 BAILES BROS. Whiskey Is the Devil (In Liquid Form) (Columbia 37583, 1947)<br />
Hailing from West Virginia, the Bailes Brothers were hired by KWKH and helped establish the Louisiana Hayride. They performed sacred songs, but were notorious for their profane lifestyle. Their move to Shreveport was triggered by their dramatic termination from the WSM radio station and the Grand Ole Opry.<br />
<br />
11 COUNTRY JIM Avenue Breakdown (Imperial 5062, 1950)<br />
James Bledsoe (aka Country Jim) recorded four 78s for Imperial. He also recorded over a dozen unreleased songs which included such Shreveport street-themed titles as “Texas Street Blues” and “Travis Street Blues.”<br />
<br />
12 TEX GRIMSLEY AND HIS TEXAS SHOWBOYS Walking The Dog (Pacemaker HB 1001, 1951)<br />
Grimsley played and crafted fiddles since childhood, was recognized as the Louisiana State Fiddling Champion four times, and his band played on the debut Louisiana Hayride show. This song appeared on the first record issued by Shreveport’s Pacemaker Records, which was founded by Webb Pierce and Hayride announcer Horace Logan.<br />
<br />
13 DAVID “PETE” MCKINLEY Shreveport Blues (Gotham 505, 1950)<br />
One of two songs McKinley recorded for this Philadelphia record label. Two years later, he recorded (at a late night KWKH studio session) over half a dozen songs for a Los Angeles label. It has been suggested that Stan Lewis was connected to McKinley’s recordings.<br />
<br />
14 JOHNNY CASH So Doggone Lonesome and Southern Maid Commercial (1956)<br />
Live from the Louisiana Hayride, Cash sings a song from his second record and discusses the finer points of Southern Maid Donuts.<br />
<br />
15 THE MONTCLAIRS All I Want Is Love (Sonic ER104, 1956)<br />
One of Shreveport’s few recorded contributions to the doo-wop genre. Features Chico Chism on drums.<br />
<br />
16 GENE WYATT Lover Boy (Ebb 123, 1957)<br />
Rockabilly with a young James Burton on guitar. The songwriter’s credits reveal the involvement of two Shreveport record store owners and label operators – Dee Marais and Stan Lewis.<br />
<br />
17 LINDA BRANNON I'm Leavin’ (RAM 11829, 1958)<br />
While a student at Fair Park High School, Brannon joined the scene around RAM Records and cut five 45s for the label. She also performed on the Louisiana Hayride.<br />
<br />
18 THE BROTHERS Lazy Susan (Argo 5318, 1958)<br />
The Mathis brothers moved to town to play country music on the Hayride. However, they had switched to rock and roll and allied themselves with Dale Hawkins by the time this song was cut. Later, they became two-thirds of the Newbeats, known for their song “Bread and Butter.”<br />
<br />
19 BANNY PRICE There Goes The Girl (Jewel 733, 1964)<br />
Price was active in the local rhythm & blues scene, and he’s one of the first Shreveporters to have a release on Stan Lewis’s Jewel record label. The songwriters’ credits are shared by two other musicians having ties to Shreveport – Dale Hawkins and Elgie Brown.<br />
<br />
20 JIMMY & STAN Tahiti (Murco 1025, 1962)<br />
These days Jimmy Johnson teaches guitar lessons. In the 1960s and ‘70s, his name appeared on a handful of Murco releases as a songwriter and producer. Here’s one that showcases him as a musician.<br />
<br />
21 ALEX SNOOK JONES For My Worst (Blue Boy 1001, circa 1965)<br />
A song from this local pianist’s only 45. Publishing credits reveal Dee Marais’ involvement.<br />
<br />
22 THE IN-CROWD Nothing You Do (Ronn 1, 1966)<br />
Local KEEL DJ Gene Kent managed this 1960s group. This song, from their only 45, was issued as the first record on Stan Lewis’s Ronn label. Their drummer, Steve Tuminello, is the nephew of A. J. Tuminello, who played drums for Dale Hawkins among others.<br />
<br />
23 EDDIE “G” GILES AND THE JIVE 5 Eddy's Go-Go Train (Murco 1034, 1967)<br />
One of Giles’s most up-tempo numbers. These days you can hear his gospel radio show weekday mornings on KOKA. On Sundays, he’s in the pulpit at Salem Missionary Baptist Church.<br />
<br />
24 NORMA DRAGOO Nightmare (Custom Sound 142, circa 1970)<br />
If you had the money, it seems Custom Sound would record and issue your record. Who knows the story behind this vanity release?<br />
<br />
25 ABRAHAM Funky Spider And Scared Fly (Hy Sign 3514, 1973)<br />
Abraham Ester recorded over half a dozen 45s for Dee Marais’ record labels. This was Ester’s last release and one of his funkiest.<br />
<br />
26 TED TAYLOR Ghetto Disco (Alarm 117, 1977)<br />
Taylor started recording in the mid-1950s in California, and by the mid-1960s he began cutting songs for Stan Lewis’s labels (Jewel and Ronn). In the mid-1970s, he connected with Alarm Records, a Shreveport label run by Jerry Strickland and Stewart Madison. Their label and studio were located at 3316 Line Avenue.<br />
<br />
27 SMITH BROTHERS Pack Up (circa 1965)<br />
A local gospel group’s demo acetate unearthed from the record collection of radio station KOKA.<br />
<br />
28 W. K. (OLD MAN) HENDERSON Hello World (Hello World 001, 1930)<br />
The first commercial recordings in Shreveport can be traced to an Okeh Records representative visiting the city in 1930. Here’s the fiery monologue they recorded by KWKH’s owner, W. K. Henderson. “Hello World...Dog-gone You!” </div>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-67836523514812762652018-05-20T10:17:00.000-05:002018-05-20T10:17:11.469-05:00SHREVEPORT MY HOME TOWN: OUR CITY’S SONGS (1923-1981)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-wghag0BNP84/WwDl8Pog0mI/AAAAAAAAD48/iAcfohpSAS0H26r3H9nDtoBxks2Htp6xgCLcBGAs/s1600/va%2BShreveport%2BMy%2BHome%2BTown_%2BOur%2BCity%2527s%2BSongs%2B%25281923-81%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="458" height="320" src="https://1.bp.blogspot.com/-wghag0BNP84/WwDl8Pog0mI/AAAAAAAAD48/iAcfohpSAS0H26r3H9nDtoBxks2Htp6xgCLcBGAs/s320/va%2BShreveport%2BMy%2BHome%2BTown_%2BOur%2BCity%2527s%2BSongs%2B%25281923-81%2529.jpg" width="320" /></a></div>
<br />
<br />
SHREVEPORT MY HOME TOWN: OUR CITY’S SONGS (1923-1981)<br />
Compiled in December 2006, liner notes revised May 2018.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
<br />
Listen online: <a href="https://www.mixcloud.com/shreveportsongs/2-shreveport-my-home-town-our-citys-songs-1923-1981/">https://www.mixcloud.com/shreveportsongs/2-shreveport-my-home-town-our-citys-songs-1923-1981/</a><br />
<br />
<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2F2-shreveport-my-home-town-our-citys-songs-1923-1981%2F" width="100%"></iframe>
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1 VIRGINIA LISTON - Shreveport Blues (Okeh 8122, 1923)<br />
2 EDDIE AND SUGAR LOU'S HOTEL TYLER ORCHESTRA - K. W. K. H. Blues (Vocalion 1445, 1929)<br />
3 SHREVEPORT HOME WRECKERS - Fence Breakin' Blues (Victor 23275, 1930)<br />
4 LEON'S LONE STAR COWBOYS - I'm A Do Right Papa (Decca 5361, 1935)<br />
5 THREE FIFTEEN AND HIS SQUARES - Saturday Night On Texas Avenue (Vocalion 3515, 1937)<br />
6 THE RANGE RIDERS - The Range Riders Stomp (Vocalion 3579, 1937)<br />
7 RICE BROTHERS GANG - You Are My Sunshine (Decca 5763, 1939)<br />
8 NETTLE BROTHERS STRING BAND - Fannin’ Street Blues (Bluebird 8720, 1941)<br />
9 ROY BROWN WITH BOB OGDEN & ORCH. - Good Rocking Tonight (DeLuxe 1093, 1947)<br />
10 HANK WILLIAMS - Cool Water (1949)<br />
11 RED SOVINE - Groovy Boy (MGM 10642, 1950)<br />
12 "STICK-HORSE" HAMMOND - Highway 51 (JOB 105, 1950)<br />
13 CLAUDE KING - Beer And Pinballs (Gotham 411, 1951)<br />
14 WILLIE CASTON AND THE EVER READY GOSPEL SINGERS - When The Moon Goes Down (Abbott 149, 1953)<br />
15 REV. UTAH SMITH - Two Wings (Checker 785, 1953)<br />
16 JAMES WILSON AND THE JIMMIE-CATS - Wilson Blues No. 1 (RAM 15551, 1956)<br />
17 MARGARET LEWIS - Shake A Leg (RAM 1611-9, 1959)<br />
18 CARL BELEW - Cool Gator Shoes (Decca 9-30947, 1959)<br />
19 ELGIE BROWN - Let Me Feel It (circa 1960)<br />
20 BILL BUSH - I'm Waiting (Ronn 17, 1965)<br />
21 THE PEERMONTS - Makin' Out - Part 1 (Murco 1030, 1967)<br />
22 THE CHEQUES - To Stone (Boss Rock 101, 1967)<br />
23 DORI GRAYSON - Try Love (Murco 1038, 1968)<br />
24 LIGHTNIN' HOPKINS - Uncle Stan, The Hip Hit Record Man (Jewel 825, 1968)<br />
25 THE ROGUE SHOW - Make Me Over Again (Paula 339, 1971)<br />
26 ROAD RUNNERS - Every Man For Himself (Custom Sound 1023, circa 1971)<br />
27 REUBEN BELL - Superjock (Alarm 111, 1976)<br />
28 THE WEDGEHEADS - Shreveport Means Business (1981)<br />
29 TERRY LEE - Shreveport My Home Town (PAMS, 1961)<br />
<br />
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<br />
1 VIRGINIA LISTON - Shreveport Blues (Okeh 8122, 1923)<br />
VL on vocals accompanied by Clarence Williams' Blue Five. She came from a vaudeville background, while Williams rose from Storyville pianist to successful music businessman through writing, publishing, and producing music in New York and Chicago.<br />
<br />
2 EDDIE AND SUGAR LOU'S HOTEL TYLER ORCHESTRA - K. W. K. H. Blues (Vocalion 1445, 1929)<br />
From Tyler, Texas, this group regularly traveled the 100 miles to Shreveport for performances broadcast on KWKH radio station.<br />
<br />
3 SHREVEPORT HOME WRECKERS - Fence Breakin' Blues (Victor 23275, 1930)<br />
Two Shreveport guitarists make up the SHW -- Oscar "Buddy" Woods and Ed "Dizzy Head" Schaffer. Both played on Jimmie Davis’s blues records in the early 1930s.<br />
<br />
4 LEON'S LONE STAR COWBOYS - I'm A Do Right Papa (Decca 5361, 1935)<br />
Leon Chappelear led the Lone Star Cowboys once Bob & Joe Attlesey left to form the Shelton Brothers. A friend of Jimmie Davis's, LC led a turbulent life going from policeman to Angola inmate to poundmaster to gas station worker. Until his tragic suicide, he consistently pursued a career in music.<br />
<br />
5 THREE FIFTEEN AND HIS SQUARES - Saturday Night On Texas Avenue (Vocalion 3515, 1937)<br />
Dave Bluntson (aka 315) on piano and vocals. A celebration of Shreveport's Texas Avenue -- a vibrant multicultural thoroughfare that doubled as United States Route 80, a transcontinental highway connecting Georgia to California.<br />
<br />
6 THE RANGE RIDERS - The Range Riders Stomp (Vocalion 3579, 1937)<br />
This group performed over radio stations KWKH and KTBS. Recorded at the same Hot Springs, Arkansas, session that 315 cut his song about Texas Avenue.<br />
<br />
7 RICE BROTHERS GANG - You Are My Sunshine (Decca 5763, 1939)<br />
RBG joined KWKH's Saturday Night Roundup (a precursor to the Louisiana Hayride) and performed on KTBS as the Southern Maid Donut Boys. This song was first recorded by the Pine Ridge Boys (from Atlanta, Georgia) in August 1939, then the RGB in September 1939, then Jimmie Davis purchased the rights to the song and recorded it in February 1940.<br />
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8 NETTLE BROTHERS STRING BAND - Fannin’ Street Blues (Bluebird 8720, 1941)<br />
Prolific songwriter Bill Nettles hailed from Natchitoches, Louisiana. He moved to Shreveport where his band the Dixie Blue Boys performed on local radio stations (KRMD, KTBS) from about 1938 to 1946.<br />
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9 ROY BROWN WITH BOB OGDEN & ORCH. - Good Rocking Tonight (DeLuxe 1093, 1947)<br />
RB said performing at Shreveport’s Palace Park nightclub was a formative experience where he developed his blues singing style. Following the release of this successful song, he continued to appear at the nightclub about twice a year until 1951.<br />
<br />
10 HANK WILLIAMS - Cool Water (1949)<br />
A song by the Sons of the Pioneers, HW cut this acetate disc demo recording at KWKH. While living in Shreveport/Bossier City from August 1948 to June 1949, he performed on a morning radio show and the Louisiana Hayride.<br />
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11 RED SOVINE - Groovy Boy (MGM 10642, 1950)<br />
From 1948 to 1955, RS could be heard on KWKH performing his morning radio show and on the Louisiana Hayride. He composed this song about Ray "Groovy Boy" Bartlett, a KWKH rhythm and blues disc jockey and Hayride emcee.<br />
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12 "STICK-HORSE" HAMMOND - Highway 51 (JOB, 1950)<br />
A resident of the nearby Taylortown community, Nathaniel Hammond’s nickname derives from his peg-leg. Recorded at KWKH and released by JOB -- Jimmie, Owens, and (Ray) Bartlett.<br />
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13 CLAUDE KING - Beer And Pinballs (Gotham 411, 1951)<br />
Written by CK’s long-time collaborator and manager, Tillman Franks. King hailed from the nearby community of Keithville.<br />
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14 WILLIE CASTON AND THE EVER READY GOSPEL SINGERS - When The Moon Goes Down (Abbott 149, 1953)<br />
Originally led by disc jockey Willie Caston, the ERGS formed in 1946 and were still performing as recent as 2006. For this song, Charles Graves provides lead vocals.<br />
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15 REV. UTAH SMITH - Two Wings (Checker 785, 1953)<br />
Locals still remember this guitar evangelist, tent revival leader, and faith healer. An explosive blend of electric guitar and gospel. Born in the Cedar Grove neighborhood, he now rests in an unmarked grave at Carver Memorial Cemetery.<br />
<br />
16 JAMES WILSON AND THE JIMMIE-CATS - Wilson Blues No. 1 (RAM 15551, 1956)<br />
JW, a 16-year-old student at Fair Park High School, worked with Mira Smith of RAM Records to record one of Shreveport's first rockabilly records. James Burton on lead guitar.<br />
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17 MARGARET LEWIS - Shake A Leg (RAM 1611-9, 1959)<br />
Migrating from West Texas, ML and her sister joined Dale Hawkins's band as backing vocalists. ML then worked with Mira Smith at RAM for a lengthy and fruitful relationship. Recorded at the RAM recording studio on Lakeshore Drive, this song appeared on her second 45.<br />
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18 CARL BELEW - Cool Gator Shoes (Decca 9-30947, 1959)<br />
CB was part of the Louisiana Hayride from 1957 to 1959. This song was written by his regular songwriting collaborator, Tommy Blake, another local.<br />
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19 ELGIE BROWN - Let Me Feel It (circa 1960)<br />
EB first appeared on the Shreveport rhythm and blues scene in the 1950s and led a band called the Downbeats. This track was recorded at the RAM studio.<br />
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20 BILL BUSH - I'm Waiting (Ronn 17, 1968)<br />
At the time of this recording, BB was a 24-year-old sophomore at Centenary College, and his band performed nightly at the Town and Country Motor Hotel in Bossier City.<br />
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21 THE PEERMONTS - Makin' Out - Part 1 (Murco 1030, 1967)<br />
From the first record by this band led by guitarist/songwriter Jimmy Johnson. He later operated the Peermont Recording Studio and taught guitar lessons.<br />
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22 THE CHEQUES - To Stone (Boss Rock 101, 1967)<br />
Recorded in Shreveport and published by Bossier Music Co., this group’s members were stationed at the England Air Force Base (Alexandria, La.).<br />
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23 DORI GRAYSON - Try Love (Murco 1038, 1968)<br />
One of the few local women to make rhythm and blues recordings, this comes from DG’s first release.<br />
<br />
24 LIGHTNIN' HOPKINS - Uncle Stan, The Hip Hit Record Man (Jewel 825, 1968)<br />
Stan Lewis released many records by bluesman LH. Here's a song named after the Record Man himself.<br />
<br />
25 THE ROGUE SHOW - Make Me Over Again (Paula 339, 1971)<br />
RS formed around 1968 and played dances/concerts at area high schools and colleges. This song comes from their first of three 45s.<br />
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26 ROAD RUNNERS - Every Man For Himself (Custom Sound 1023, 1969)<br />
Bethune High School students recorded this funk instrumental at Sound City on Line Avenue. The same year, they played a NAACP soul music festival at the Municipal Auditorium.<br />
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27 REUBEN BELL - Superjock (Alarm 111, 1976)<br />
About a decade into his recording career (usually known for melancholy ballads), RB delivered this upbeat tribute to disc jockeys.<br />
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28 THE WEDGEHEADS - Shreveport Means Business (1981)<br />
Contenders for Shreveport's first punk band, they made a demo tape, but never issued a record. This song spoofs the city's motto at the time.<br />
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29 TERRY LEE - Shreveport My Home Town (PAMS, 1961)<br />
Dallas production company PAMS churned out "My Hometown" songs for radio stations across the country. Presumably made for local station KEEL.Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-41622987622280363172018-04-30T00:04:00.002-05:002018-05-19T22:07:09.730-05:00SHREVEPORT'S GONNA BE THE DEATH OF YOU: OUR CITY'S SONGS (1927-1972)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-vRqs-A-Vv64/WuajUm8iIkI/AAAAAAAAD4U/wRQcP3VQjN8gL0YiPQXE9kTxWf_SRYrtQCLcBGAs/s1600/va%2BShreveport%2527s%2BGonna%2BBe%2BThe%2BDeath%2BOf%2BYou_%2BOur%2BCity%2527s%2BSongs%2B%25281927-72%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="458" height="320" src="https://1.bp.blogspot.com/-vRqs-A-Vv64/WuajUm8iIkI/AAAAAAAAD4U/wRQcP3VQjN8gL0YiPQXE9kTxWf_SRYrtQCLcBGAs/s320/va%2BShreveport%2527s%2BGonna%2BBe%2BThe%2BDeath%2BOf%2BYou_%2BOur%2BCity%2527s%2BSongs%2B%25281927-72%2529.jpg" width="320" /></a></div>
<br />
<br />
SHREVEPORT'S GONNA BE THE DEATH OF YOU: OUR CITY'S SONGS (1927-1972) <br />
Compiled in December 2005, liner notes revised April 2018.<br />
<br />
Songs about Shreveport, songs recorded in Shreveport, songs by Shreveporters, songs on Shreveport record labels.<br />
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Listen online <a href="https://www.mixcloud.com/shreveportsongs/shreveports-gonna-be-the-death-of-you-our-citys-songs-1927-1972/">https://www.mixcloud.com/shreveportsongs/shreveports-gonna-be-the-death-of-you-our-citys-songs-1927-1972/</a><br />
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<iframe frameborder="0" height="120" src="https://www.mixcloud.com/widget/iframe/?hide_cover=1&feed=%2Fshreveportsongs%2Fshreveports-gonna-be-the-death-of-you-our-citys-songs-1927-1972%2F" width="100%"></iframe>
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1 JELLY-ROLL MORTON'S RED HOT PEPPERS - Shreveport (Victor 21658, 1928)<span class="text_exposed_show"><br />2 LILLIAN GLINN - Shreveport Blues (Columbia 14519-D, 1929)<br />3 HENRY THOMAS "RAG TIME TEXAS" - Red River Blues (Vocalion 1137, 1927)<br />4 JIMMIE DAVIS - She's A Hum-Dinger (Victor 40286, 1930)<br />5 JESSE ("BABYFACE") THOMAS - Blue Goose Blues (Victor 38555, 1929)<br />6 JOE HARRIS AND KID WEST - Nobody's Business If I Do (1940)<br />7 LEAD BELLY - Fannin Street (Musicraft 225, 1939)<br />8 BUDDY JONES - Mean Old Lonesome Blues (Decca 5372, 1937)<br />9 TILLMAN FRANKS AND HIS RAINBOW BOYS - Hayride Boogie (Pacemaker 1011, 1951)<br />10 JIMMY LEE & JOHNNY MATHIS - If You Don't Somebody Else Will (Chess 4859, 1954)<br />11 ELVIS PRESLEY - Baby Let's Play House (1955)<br />12 TOMMY BLAKE WITH THE RHYTHM REBELS - Koolit (Buddy 107, 1956)<br />13 CHICO CHISM AND HIS JETANAIRS - Hot Tamales & Bar-B-Que (Clif 102, 1957)<br />14 BOB LUMAN - Red Hot (Imperial X8313, 1957)<br />15 T. V. SLIM AND HIS HEARTBREAKERS - Flatfoot Sam (Clif 103, 1957)<br />16 JOHNNY HORTON - Honky Tonk Hardwood Floor (Columbia 4-41110, 1957)<br />17 DALE HAWKINS - La-Do-Dada (Checker 900, 1958)<br />18 THE RUN-A-WAYS - Night Creature (Ram A-2090, 1960)<br />19 GRACE TENNESSEE AND THE AMERICAN SPIRITS - Pow Wow (WLS 1450, 1961)<br />20 THE UNIQUES - You Ain't Tuff (Paula 231, 1965)<br />21 TOM AND THE CATS - Good, Good Lovin' (Paula 253, 1966)<br />22 TOUSSAINT MCCALL - Shimmy (Ronn 3, 1967)<br />23 TOUSSAINT MCCALL - Nothing Takes The Place Of You (Ronn 3, 1967)<br />24 EDDY GILES - Losin' Boy (Murco 1031, 1967)<br />25 REUBEN BELL WITH THE CASANOVAS - It's Not That Easy (Murco 1035, 1967)<br />26 ANN ALFORD - Got To Get Me A Job (Hy-Sign 2111, 1972)<br />27 AFRICAN MUSIC MACHINE - Black Water Gold (Pearl) (Soul Power 109, 1972)<br />28 FIVE BY FIVE - 15 Going On 20 (Paula 326, 1970)<br />29 LEAD BELLY - Talk About Fannin Street (1948)</span><br />
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<br />
1 JELLY-ROLL MORTON'S RED HOT PEPPERS - Shreveport (Victor 21658, 1928)<br />
Hailing from New Orleans, pianist J-RM made this record after relocating to New York from his previous home in Chicago.<br />
<br />
2 LILLIAN GLINN - Shreveport Blues (Columbia 14519-D, 1929)<br />
LG, from Dallas, sings of her Shreveport man that she's ready to love "10 or 12 times a week."<br />
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3 HENRY THOMAS "RAG TIME TEXAS" - Red River Blues (Vocalion 1137, 1927)<br />
The Red River, which borders Shreveport, is the theme for East Texas songster HT and his accompanying quills.<br />
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4 JIMMIE DAVIS - She's A Hum Dum Dinger (Victor 40286, 1930)<br />
At the time of this recording, JD worked as a clerk in the criminal division of Shreveport’s city court. Guitar accompaniment provided by locals Oscar Woods and Ed Schaffer.<br />
<br />
5 JESSE ("BABYFACE") THOMAS - Blue Goose Blues (Victor 38555, 1929)<br />
Located at the intersection of Snow Street and Wilson Street Alley, the Blue Goose has been described as a pool hall, recreation parlor, domino hall, grocery store, and speakeasy. Raised in nearby Logansport, JT lived in Dallas, Oklahoma, Los Angeles, and points between before moving to Shreveport in 1957.<br />
<br />
6 JOE HARRIS AND KID WEST - Nobody's Business If I Do (1940)<br />
Guitarist JH and mandolin player KW performed this song for John Lomax when he visited town and made recordings for the Library of Congress’s Archive of American Folk Song.<br />
<br />
<div>
7 LEAD BELLY - Fannin Street (Musicraft 225, 1939)<br />
As described in this song...against his mother’s and sister's wishes, LB would hang around Fannin Street in Shreveport’s red light district. At the time of this recording, he was out on bail while serving an 8-month sentence at Rikers Island.<br />
<br />
8 BUDDY JONES - Mean Old Lonesome Blues (Decca 5372, 1937)<br />
Shreveport police officer BJ combines blues and country and yodelling.<br />
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9 TILLMAN FRANKS AND HIS RAINBOW BOYS - Hayride Boogie (Pacemaker 1011, 1951)<br />
Webb Pierce on vocals. Pacemaker Records was operated by WP and Louisiana Hayride emcee Horace Logan.<br />
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10 JIMMY LEE & JOHNNY MATHIS - If You Don't Somebody Else Will (Chess 4859, 1954)<br />
J&J joined the Louisiana Hayride and partnered with Tillman Franks, who became their manager and bass player. They recorded this song after hours at KWKH radio station. Recording supplied by record store owner Stan Lewis to Chicago’s Chess Records for their short-lived country music series.<br />
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11 ELVIS PRESLEY - Baby Let's Play House (1955)<br />
EP began making weekly appearances on the Louisiana Hayride in October 1954. This live recording comes from August 20, 1955.<br />
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12 TOMMY BLAKE WITH THE RHYTHM REBELS - Koolit (Buddy 107, 1956)<br />
TB’s first record. Released on Buddy Records based in nearby Marshall, Texas.<br />
<br />
13 CHICO CHISM AND HIS JETANAIRS - Hot Tamales & Bar-B-Que (Clif 102, 1957)<br />
Drummer/singer CC’s ode to food on Texas Avenue. He later moved to Chicago and played in Howlin’ Wolf’s band.<br />
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14 BOB LUMAN - Red Hot (Imperial X8313, 1957)<br />
East Texan BL joined the Louisiana Hayride and hired teenage guitarist James Burton.<br />
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15 T. V. SLIM AND HIS HEARTBREAKERS - Flatfoot Sam (Clif 103, 1957)<br />
Oscar Wills -- television repair shop employee and singer/guitarist. After this song appeared on local Clif Records, it was reissued by Checker Records, then re-recorded for release on their subsidiary Argo.<br />
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16 JOHNNY HORTON - Honky Tonk Hardwood Floor (Columbia 4-41110, 1957)<br />
JH moved to Shreveport in 1951, became a regular on the Louisiana Hayride, and teamed up with bass player/manager Tillman Franks.<br />
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17 DALE HAWKINS - La-Do-Dada (Checker 900, 1958)<br />
Stan’s Record Shop clerk DH recorded this after hours at KWKH radio station. The band on this recording includes Joe Osborne (guitar), DJ Fontana (drums), Mark Mathis (bass), Dean Mathis (piano), and Margaret Lewis (backup vocals).<br />
<br />
18 THE RUN-A-WAYS - Night Creature (Ram A-2090, 1960)<br />
From Dallas, Texas, this group also recorded as the Royal Jokers (Murco Records) and the Castaways (Capitol Records). Released by Mira Smith.<br />
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19 GRACE TENNESSEE AND THE AMERICAN SPIRITS - Pow Wow (WLS 1450, 1961)<br />
Mira Smith: songwriter, guitarist, RAM Records label owner, RAM Record Shop owner, RAM Recording Studio owner, aka “Grace Tennessee” on this 45.<br />
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20 THE UNIQUES - You Ain't Tuff (Paula 231, 1965)<br />
Hailing from Springhill, Louisiana, the Uniques featured Joe Stampley on vocals.<br />
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21 TOM AND THE CATS - Good, Good Lovin' (Paula 253, 1966)<br />
Tom Colquitt’s band covers James Brown.<br />
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22 TOUSSAINT MCCALL - Shimmy (Ronn 3, 1967)<br />
23 TOUSSAINT MCCALL - Nothing Takes The Place Of You (Ronn 3, 1967)<br />
Hailing from Monroe, Louisiana, TM lip-synced this ballad in 1988 for John Waters’ movie “Hairspray.” Preceded by the instrumental b-side “Shimmy.”<br />
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24 EDDY GILES - Losin' Boy (Murco 1031, 1967)<br />
EG’s first and most successful record. These days proclaiming, “I’m a winner now,” he’s pastor of Salem Missionary Baptist Church and disc jockey on KOKA.<br />
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25 REUBEN BELL WITH THE CASANOVAS - It's Not That Easy (Murco 1035, 1967)<br />
Cedar Grove neighborhood resident RB’s first record...and a deep soul classic.</div>
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<br /></div>
<div>
26 ANN ALFORD - Got To Get Me A Job (Hy-Sign 2111, 1972)</div>
<div>
Mysterious AA cut this funk song for Dee Marais’ label.<br />
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27 AFRICAN MUSIC MACHINE - Black Water Gold (Pearl) (Soul Power 109, 1972)<br />
Recorded locally at Sound City recording studio. Louis Villery (aka Rasheed) was the bandleader/bassist.<br />
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28 FIVE BY FIVE - 15 Going On 20 (Paula 326, 1970)<br />
Lascivious rock and roll from Magnolia, Arkansas.<br />
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29 LEAD BELLY - Talk About Fannin Street (1948)<br />
LB talks about his teenage experiences in Shreveport’s Saint Paul’s Bottoms neighborhood, a red light district from 1903 to 1917. In 1982, the area was renamed Ledbetter Heights in his honor.</div>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-18093002551325857962017-11-22T07:00:00.000-06:002017-11-22T07:00:23.741-06:00SHREVEPORT SIZZLERS - Nervous Breakdown (Okeh, 1932)<div class="separator" style="clear: both; text-align: center;">
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<a href="https://www.youtube.com/watch?v=P2dg0uyWIGc">
<img border="0" data-original-height="350" data-original-width="350" height="320" src="https://2.bp.blogspot.com/-qSqt7Vg6_K4/WhS7MoNufRI/AAAAAAAADrU/wxFDss2YRzQS8IeVMQDrYv0j0h1GuYwUACLcBGAs/s320/Shreveport%2BSizzlers%2B-%2BNervous%2BBreakdown%2B78%2B%2528Okeh%2529.jpg" width="320" /></a></div>
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<a href="https://www.youtube.com/watch?v=P2dg0uyWIGc">SHREVEPORT SIZZLERS - Nervous Breakdown (Okeh, 1932)</a><br />
<br />
Why do records by the Shreveport Sizzlers even exist? Good question.<br />
<br />
In 1932, Okeh released two records by the Shreveport Sizzlers. However, they featured recordings originally made in 1929 and already available on Okeh’s parent label, Columbia Records. For some reason -- perhaps the need to reissue out-of-print releases or stretch limited resources during the Great Depression -- Columbia reached into their back catalog to re-release recordings by Clarence Williams. “Nervous Breakdown” by the Shreveport Sizzlers (Okeh 41561) is the same recording as “Nervous Breakdown” by Clarence Williams & His Jazz Kings (Columbia 14468-D). In any event, the Shreveport Sizzlers earned a favorable review alongside nine other “current dance records” in the April 23, 1932, issue of <i>The New Yorker</i> --<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-AQI8CKY5LuU/WhSElQBGY2I/AAAAAAAADrE/DI_aFQB7yz8Uw3bPPCqKxI-Zr6uHd93CQCLcBGAs/s1600/ShreveportSizzlers_NewYorker_19320423.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="214" data-original-width="497" height="137" src="https://4.bp.blogspot.com/-AQI8CKY5LuU/WhSElQBGY2I/AAAAAAAADrE/DI_aFQB7yz8Uw3bPPCqKxI-Zr6uHd93CQCLcBGAs/s320/ShreveportSizzlers_NewYorker_19320423.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Popular Records," <i>The New Yorker</i>, April 23, 1932, page 39.</td></tr>
</tbody></table>
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Why name the band the Shreveport Sizzlers? That’s the second mystery, though Clarence Williams did have a few connections to the city.<br />
<br />
Williams was born in Plaquemine, Louisiana, then lived in New Orleans and Chicago before settling in New York in 1923. In 1912 and 1914, <i>Indianapolis Freeman</i> newspaper articles indicate he toured with the Lockhart Stock Company vaudeville group, who performed at Shreveport’s Star Theater (1050 Texas Avenue). Both appearances are placed within the context of Williams’s formative years in Lynn Abbott’s article <a href="https://jazz.tulane.edu/sites/default/files/jazz/docs/jazz_archivist/Jazz_Archivist_vol8no1_Dec_1993.pdf" target="_blank">“‘Brown Skin, Who You For?’ Another Look at Clarence Williams’s Early Career” (The Jazz Archivist, December 1993)</a>.<br />
<br />
Yet another Williams-Shreveport connection involves the song "Shreveport Blues" composed by Annie "Bootsy" Potter. In 1923, <a href="https://flic.kr/p/3mrdij" target="_blank">Clarence Williams published sheet music</a> for the song and also recorded it twice. That September, he played piano as <a href="https://www.youtube.com/watch?v=4kTLjBzDmDE" target="_blank">Virigina Liston sang "Shreveport Blues" (Okeh 8122)</a>. Then, in November, the <a href="https://www.youtube.com/watch?v=shOrSR_kvSA" target="_blank">Clarence Williams’ Blue Five recorded an instrumental version of “Shreveport Blues” (Okeh 40006)</a>. We hope to further untangle this song's history in the future.<br />
<br />
While definitive answers about the Shreveport Sizzlers might be lost to history, we are pleased to report that their sounds remain available to this day.<br />
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Discography<br />
<br />
Shreveport Sizzlers (Okeh 8918, 1932)<br />
405106 Railroad Rhythm (Waller)<br />
405107 Zonky (Razaf and Waller)<br />
<br />
Shreveport Sizzlers (Okeh 41561, 1932)<br />
405184 You’ve Got To Be Modernistic (Johnson)<br />
405185 Nervous Breakdown (Williams)<br />
<br />
Clarence Williams & His Jazz Kings (Columbia 14468, 1929)<br />
149056 Nervous Breakdown (Williams)<br />
149057 Railroad Rhythm (Waller)<br />
<br />
Clarence Williams & His Jazz Kings (Columbia 14488, 1930)<br />
149665 Zonky (Razaf and Waller)<br />
149666 You’ve Got To Be Modernistic (Johnson)Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-63220167331363244522017-05-26T07:00:00.000-05:002017-05-26T07:00:00.310-05:00SMITH BROTHERS - Pack Up / Back To God (test acetate disc, circa 1960)<div dir="ltr" id="docs-internal-guid-815d077c-41fa-a4f0-9d83-cbe27245e36d" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
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<a href="https://youtu.be/qSs3DuVID_c" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://1.bp.blogspot.com/-YK2NFKuFqgg/WSd28EBAETI/AAAAAAAADUk/lkItbzEnoqo68ylLjpRL4ffkwvAxNh0iQCLcB/s320/SmithBrothers_PackUp.jpg" width="320" /></a></div>
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<a href="https://4.bp.blogspot.com/-KoVIwKIIdp0/WSd3GFrGXrI/AAAAAAAADUo/D9Hn82NygtYGsbNGaI7K21ildQugWLlsgCLcB/s1600/SmithBrothers_BackToGod.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://www.youtube.com/watch?v=3iy2ZLUX_-U" target="_blank"><img alt="https://www.youtube.com/watch?v=3iy2ZLUX_-U" border="0" data-original-height="500" data-original-width="500" height="320" src="https://4.bp.blogspot.com/-KoVIwKIIdp0/WSd3GFrGXrI/AAAAAAAADUo/D9Hn82NygtYGsbNGaI7K21ildQugWLlsgCLcB/s320/SmithBrothers_BackToGod.jpg" width="320" /></a></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"> </span><br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">In 2007, I noticed a Smith Brothers test acetate disc wedged behind a desk drawer at Shreveport’s <a href="http://www.koka.am/" target="_blank">gospel radio station KOKA</a>. The radio station staff was kind enough to let me borrow the disc to make a copy.</span><br />
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">SMITH BROTHERS (test acetate disc, circa 1960)</span><br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><a href="https://youtu.be/qSs3DuVID_c" target="_blank">side 1: "Pack Up"</a></span><br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><a href="https://www.youtube.com/watch?v=3iy2ZLUX_-U" target="_blank">side 2: "Back To God"</a></span><br />
<br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">This unique disc appears to contain recordings that never made it onto an official release. Underneath the surface noise scratchiness, we hear the early sounds of this Shreveport gospel group. "Pack Up" is the gospel classic <a href="https://youtu.be/oNRoqoiU8co" target="_blank">"Packin' Up" originally made popular in 1958 by the Ward Singers featuring Marion Williams</a>. "Back to God" was recorded as <a href="https://youtu.be/eSv7RXPYYEM" target="_blank">"Come, Let's Go Back To God" in 1951 by the Soul Stirrers featuring Sam Cooke</a>.</span><br />
<br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">As for the history of the Smith Brothers, a program from 1991 provides the following details: </span><br />
<blockquote class="tr_bq">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">While alive, [Deacon Palmo Smith, Sr.] was an active member of a gospel glee club. That club formed the background for the Smith Brothers Gospel Singers, who were born into gospel music. The young Smith Brothers grew up around gospel singing and praising the Lord. By their early teens they had organized into a group and were singing all over the area. The Brothers were pioneers in bringing gospel music to area television and radio audiences, and performed for many years over both medias. They are famous all over the Southwest and known as brilliant composers and recording artists (</span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">N.I.R.A.L. and the Smith Brothers presents the First Annual Ark-La-Tex Gospel Awards Festival Honoring Legends of the Past & Present</span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"> program, July 16, 1991).</span></blockquote>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">The
Smith Brothers went on to release at least three 45s in the 1960s and
1970s on the following record labels: New Way, Pioneer, and Custom
Sound.</span> </span><br />
<br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">Thanks to Chico's Video Production for sharing online a <a href="https://youtu.be/vtfD7Q6Raf8" target="_blank">video of the Smith Brothers performing in 2011</a>.</span><br />
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><br /></span>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-sCkH8vHrWYU/WSd3zAfHI6I/AAAAAAAADUw/P-A0lpQztisuqnph2WX833JzixVpAtybQCLcB/s1600/SingingSmithFamily.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="927" height="640" src="https://1.bp.blogspot.com/-sCkH8vHrWYU/WSd3zAfHI6I/AAAAAAAADUw/P-A0lpQztisuqnph2WX833JzixVpAtybQCLcB/s640/SingingSmithFamily.jpg" width="492" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">("The Singing Smith Family," </span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">N.I.R.A.L.
and the Smith Brothers presents the First Annual Ark-La-Tex Gospel
Awards Festival Honoring Legends of the Past & Present</span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"> program, July 16, 1991.)</span></td></tr>
</tbody></table>
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><br /></span></div>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-51403415061995873962017-01-16T10:00:00.000-06:002017-01-16T10:03:18.211-06:00January 17, 2017: Romp and Stomp’s annual all-Shreveport radio show<div class="separator" style="clear: both; text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-rcXUx3rM13g/Us1xF0xMXMI/AAAAAAAAAv0/aKxNdzzSwms/s1600/Romp+and+Stomp+flyer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-rcXUx3rM13g/Us1xF0xMXMI/AAAAAAAAAv0/aKxNdzzSwms/s1600/Romp+and+Stomp+flyer.jpg" width="314" /></a></div>
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<br />
The eleventh annual all-Shreveport radio show on <a href="https://spinitron.com/radio/playlist.php?station=kscl&showid=714" target="_blank">Romp and Stomp</a> is
scheduled for Tuesday, January 17, 2017, from 5:00 to 6:00 pm. Tune in
to KSCL 91.3 FM or listen live online at <a href="http://www.kscl.fm/">www.kscl.fm</a>.<br />
<br />
This year features sacred songs connected to our city spanning 1931 to 2000. You'll hear gospel songs by Shreveporters, gospel songs recorded in Shreveport, and gospel songs on Shreveport record labels. Selections by Leadbelly, the Bailes Brothers, the Ever Ready Gospel Singers, the Mighty Ambassadors, the Sensational Jones Singers, Artee L. Philyaw, and more.<br />
<br />
KSCL 91.3 FM | Shreveport, Louisiana<br />
Romp and Stomp | Tuesdays, 5:00 - 6:00 pm<br />
listen live online: <a href="http://www.kscl.fm/">www.kscl.fm</a>Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-13397761258749321482016-08-01T08:00:00.000-05:002016-08-01T08:00:07.471-05:00JOHN MCGHEE AND FRANK WELLING - Hello World Doggone (Hello World Broadcasting Corp., 1930)<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-7U-BPhoV5EI/V55ImLC88BI/AAAAAAAACus/m_u9MOC6u0g8VpCsR1a_plDG1V0aRcSHgCLcB/s1600/KWKH_Button_black_cropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://3.bp.blogspot.com/-7U-BPhoV5EI/V55ImLC88BI/AAAAAAAACus/m_u9MOC6u0g8VpCsR1a_plDG1V0aRcSHgCLcB/s320/KWKH_Button_black_cropped.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">W. K. Henderson pocket mirror, circa 1930.</td></tr>
</tbody></table>
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<div dir="ltr" id="docs-internal-guid-fa93f13b-3366-8890-df63-40c55a837963" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">As <a href="http://shreveportsongs.blogspot.com/2012/12/eddie-and-sugar-lous-hotel-tyler.html" target="_blank">previously noted</a> -- in the late 1920s and early 1930s, Shreveport’s KWKH radio station, “aired anti-chain store rants, manipulated its signal to reach much of the United States, offended sensitive listeners with profanity, and aggravated radio commissioners.” The cantankerous personality of station owner William Kennon Henderson is well documented in Clifford J. Doerksen’s <a href="http://americanradioworks.publicradio.org/features/radio/e1.html" target="_blank">“That Doggone Radio Man,”</a> an excerpt from “American Babel: Rogue Radio Broadcasters of the Jazz Age.”</span></div>
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<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">Henderson also financed recordings whose lyrics channel his usual grievances and include his famous exclamations (“Hello World!” and “Doggone!”). These special pressings present a few unique, slightly puzzling qualities. Here are the details as we understand them...</span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-6RPNF29vX1I/V54oPsS-kCI/AAAAAAAACuM/WyADRkft-kgXKfDXqPAHk9HaHrySyiylACLcB/s1600/Hello%2BWorld%2BDoggone%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2Bno%2Bmatrix%252C%2B1930%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-6RPNF29vX1I/V54oPsS-kCI/AAAAAAAACuM/WyADRkft-kgXKfDXqPAHk9HaHrySyiylACLcB/s320/Hello%2BWorld%2BDoggone%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2Bno%2Bmatrix%252C%2B1930%2529.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="text-align: start;">
<span style="color: black; font-family: "arial"; font-size: 14.666666666666666px; vertical-align: baseline;"><a href="https://youtu.be/vorNpCqdmgY" target="_blank">"Hello World Doggone" (Hello World Broadcasting Corp. no matrix, 1930)</a></span></div>
<div style="text-align: start;">
<span style="font-family: "\22 arial\22 "; font-size: 15px;">Note: perhaps </span><span style="font-family: "\22 arial\22 "; font-size: 15px;">John McGhee and Frank Welling's</span><span style="font-family: "\22 arial\22 "; font-size: 15px;"> December 28, 1929 recording with a non-standard Gennett label, take number 16031, issue number 20362? </span><span style="font-family: "\22 arial\22 "; font-size: 15px;">Reverse side is blank.</span></div>
</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-VmdpHGtTt6M/V55JhQ-uN5I/AAAAAAAACuw/2264bFcHs9Ecm5FyhTakskcJMT9z0eBGACLcB/s1600/Hello%2BWorld%2BDoggone%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2BL-93-4%252C%2B1930%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://3.bp.blogspot.com/-VmdpHGtTt6M/V55JhQ-uN5I/AAAAAAAACuw/2264bFcHs9Ecm5FyhTakskcJMT9z0eBGACLcB/s320/Hello%2BWorld%2BDoggone%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2BL-93-4%252C%2B1930%2529.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="text-align: start;">
<span style="color: black; font-family: "arial"; font-size: 14.666666666666666px; vertical-align: baseline;"><a href="https://youtu.be/Ry3iRc-YH9E" target="_blank">"Hello World Doggone" (Hello World Broadcasting Corp. L-93-4, 1930)</a></span></div>
<div style="text-align: start;">
<span style="font-family: "\22 arial\22 "; font-size: 15px;">Note: John McGhee and Frank Welling's circa October 1929 recording. Reverse side is blank.</span></div>
</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-8HIY9ceLKNg/V55LHgMqFHI/AAAAAAAACvA/GvDkg1Aig-AymhyGFcazO0cyIqRFh_hHwCLcB/s1600/Hello%2BWorld%2BDoggone%252C%2BPart%2B2%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2BL-91-1%252C%2B1930%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-8HIY9ceLKNg/V55LHgMqFHI/AAAAAAAACvA/GvDkg1Aig-AymhyGFcazO0cyIqRFh_hHwCLcB/s320/Hello%2BWorld%2BDoggone%252C%2BPart%2B2%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2BL-91-1%252C%2B1930%2529.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="text-align: start;">
<span style="color: black; font-family: "arial"; font-size: 14.666666666666666px; vertical-align: baseline;"><a href="https://youtu.be/qcgscXWL6n0" target="_blank">"Hello World Doggone, Part 2" (Hello World Broadcasting Corp. L-91-1, 1930)</a></span></div>
<div style="text-align: start;">
<span style="font-family: "\22 arial\22 "; font-size: 15px;">Note: John McGhee and Frank Welling's circa October 1929 recording. Reverse side, matrix L-92-1, contains identical label.</span></div>
</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-as0JlXg9k_w/V55Lp7ZVPXI/AAAAAAAACvE/q9T28YKrBLU5Tk0BHorHfavAmnLQQe0RwCLcB/s1600/Hello%2BWorld%2BDoggone%252C%2BPart%2B2%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2BL-92-1%252C%2B1930%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://2.bp.blogspot.com/-as0JlXg9k_w/V55Lp7ZVPXI/AAAAAAAACvE/q9T28YKrBLU5Tk0BHorHfavAmnLQQe0RwCLcB/s320/Hello%2BWorld%2BDoggone%252C%2BPart%2B2%2B%2528Hello%2BWorld%2BBroadcasting%2BCorp.%2BL-92-1%252C%2B1930%2529.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="text-align: start;">
<span style="color: black; font-family: "arial"; font-size: 14.666666666666666px; vertical-align: baseline;"><a href="https://youtu.be/_w_XPTyb0x0" target="_blank">"Hello World Doggone, Part 2" (Hello World Broadcasting Corp. L-92-1, 1930)</a></span></div>
<div style="text-align: start;">
<span style="font-family: "\22 arial\22 "; font-size: 15px;">Note: John McGhee and Frank Welling's circa October 1929 recording. Reverse side, matrix L-91-1, contains identical label.</span></div>
</td></tr>
</tbody></table>
<span style="font-family: "\22 arial\22 "; font-size: 15px;"><br /></span>
<span style="font-family: "\22 arial\22 "; font-size: 15px;">P. S. Thanks, R. Conner Montgomery, for sharing this additional KWKH record:</span><br />
<br />
<ul>
<li><a href="https://youtu.be/wP_8acCbpkA" style="font-family: '"arial"'; font-size: 15px;" target="_blank">W. K. (Old Man) Henderson "Hello World" (Hello World Doggone, 1930)</a></li>
<li><a href="https://youtu.be/jXEc6deMvCs" style="font-family: '"arial"'; font-size: 15px;" target="_blank">Blind Andy "Hello World Song (Don't You Go 'Way)" (Hello World Doggone, 1930)</a></li>
</ul>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-evVhxYj35z4/V54psjenqDI/AAAAAAAACuc/gk001YKBykofn8DwMC0eF2otyUPNkuc2QCLcB/s1600/KWKH_Transmitter_1930_cropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://1.bp.blogspot.com/-evVhxYj35z4/V54psjenqDI/AAAAAAAACuc/gk001YKBykofn8DwMC0eF2otyUPNkuc2QCLcB/s400/KWKH_Transmitter_1930_cropped.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Source: Margery Land May, <i>Hello World Henderson: The Man Behind the Mike</i> (s.l.:s.n., 1930).</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-KkObrwTpY8M/V54prz5G8rI/AAAAAAAACuY/Lb0q8OJpsDASWO9x5qFQjwYo39uUZo7GQCLcB/s1600/KWKH_Headquarters_1930_cropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="261" src="https://1.bp.blogspot.com/-KkObrwTpY8M/V54prz5G8rI/AAAAAAAACuY/Lb0q8OJpsDASWO9x5qFQjwYo39uUZo7GQCLcB/s400/KWKH_Headquarters_1930_cropped.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Source: Margery Land May, <i>Hello World Henderson: The Man Behind the Mike</i> (s.l.:s.n., 1930).</td></tr>
</tbody></table>
<br /></div>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-78624396275620989302015-11-25T08:00:00.000-06:002016-08-10T13:48:04.996-05:00T-V SLIM AND HIS HEARTBREAKERS - To Prove My Love (Speed, 1958)<br />
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<a href="http://1.bp.blogspot.com/-_BRg9Tq9h_s/VlTDEgs5_bI/AAAAAAAACPs/bamsJyD6lZQ/s1600/TVSlimAndHisHeartbreakers_ToProveMyLove45_Speed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-_BRg9Tq9h_s/VlTDEgs5_bI/AAAAAAAACPs/bamsJyD6lZQ/s320/TVSlimAndHisHeartbreakers_ToProveMyLove45_Speed.jpg" width="320" /></a></div>
<br />
<br />
<a href="https://youtu.be/SsowSRkFzZQ" target="_blank">T-V SLIM AND HIS HEARTBREAKERS - To Prove My Love (Speed, 1958)</a><br />
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<br />
While living in Shreveport in the mid-1950s, Oscar Wills (aka T. V. Slim), established Speed Records to release his own blues recordings. As his nickname alludes, Wills worked as a television repairman. He explained to music researcher Darryl Stolper in 1968: Shreveport record store owner “Stan [Lewis] suggested that as long as he was a television technician, and he was tall and slender, why not call himself T. V. Slim!”<br />
<br />
In 1958, Wills issued a record featuring “To Prove My Love” as the b-side of “You Can’t Buy A Woman.” Both songs listed writing credits shared between Wills and Stan Lewis. Only a few months earlier, Wills had experienced his greatest success with the song “Flatfoot Sam.” More on that later.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-w43Fxl0qJb0/VlTE-IUd1aI/AAAAAAAACP4/1X9vKkDA7y8/s1600/TVSlim_ToProveMyLoveReview_Billboard19580723.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" height="201" src="https://3.bp.blogspot.com/-w43Fxl0qJb0/VlTE-IUd1aI/AAAAAAAACP4/1X9vKkDA7y8/s320/TVSlim_ToProveMyLoveReview_Billboard19580723.jpg" title="" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Billboard </i>(July 23, 1958), page 50.</td></tr>
</tbody></table>
<br />
Blues fans have long celebrated the recordings of Wills, pieced together his biography, and cataloged his vinyl records. Nevertheless, the early details of his profession and recording career remain somewhat obscure. Here’s a few details that fill in some of the gaps.<br />
<br />
A decade before his vinyl debut, Wills worked in the radio repair business. In the summer of 1945, he opened the Oscar Wills’ Radio Shop located at <a href="https://www.google.com/maps/@32.5119228,-93.7570611,3a,75y,139.49h,91.6t/data=!3m6!1e1!3m4!1siakBAaaNJE-0ExHmBmbWGw!2e0!7i13312!8i6656" target="_blank">1011 Caddo Street.</a> At the time, he was twenty-nine years old and a veteran of the United States Army. He placed the following advertisement in the <i>Shreveport Sun</i> newspaper.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-C0z5luy8JZM/VlTF2iEg6II/AAAAAAAACQA/PwaUOQryCH0/s1600/OscarWillsRadioShopAd_ShreveportSun_19450707.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-C0z5luy8JZM/VlTF2iEg6II/AAAAAAAACQA/PwaUOQryCH0/s320/OscarWillsRadioShopAd_ShreveportSun_19450707.jpg" width="264" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Oscar Wills' Radio Shop advertisement, <br />
<i>Shreveport Sun</i> (Shreveport, La.), July 7, 1945.</td></tr>
</tbody></table>
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Additional advertisements document Wills’ work between 1945 and 1947. Due to the poor quality of the originals, these text-heavy ads are transcribed below.<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<blockquote class="tr_bq">
Wills and Anderson Radio Shop wish to announce their new location at 1212 Park Avenue; old location was 1101 Caddo St. We wish to thank our many customers for their business, and their recommendations to their friends. Because of this and our increasing business, it was necessary for us to move to a larger building. We are now able to give you quicker service. You can be assured that we will continue to do better work, dollar for dollar, than you can obtain elsewhere. We have stood and will continue to stand behind our work. All radios are checked and inspected by Oscar Wills, expert radio technician and manager before leaving the shop. For PICK UP AND DELIVERY CALL OUR NEW PHONE NUMBER 2-4476” (<i>Shreveport Sun</i>, October 6, 1945).<br />
<br />
“For full, complete radio repair services call Wills & Anderson Radio Shop, 1212 Park Ave. -- Phone 2-4476, where you can obtain the following services promptly. Quick one day repair services or while you wait if you desire. We do not run from our work because all our work is guaranteed. Complete overall job that carries a 90-day guarantee. We specialize in changing battery sets over to electric ones (one day service on this if you desire). We do not pick out jobs. Any radio make or model. Bring it in. Good second hand radios for sale. We are expecting some new radios in soon. DON’T BUY UNTIL YOU SEE OUR NEW MODELS. You can place your order now and be among the first to receive a new radio. We are army trained technicians and we know our business. We appreciate your business. Oscar Wills, Manager (<i>Shreveport Sun</i>, February 23, 1946).<br />
<br />
Wills & Anderson’s Radio Shop, 1212 Park Avenue, Phone 2-4476, Shreveport, La., Mr. Wills is back on the job after being away for 10 months doing repair, engineer and experimental work, to give you one week’s free service. This means all radios brought in the shop before the 26th of April you only pay for the part used in repairing your set. No charge for repairs. This means also that you can get your radios completely overhauled with a 90-day guarantee for what a normal repair job would have cost you” (<i>Shreveport Sun</i>, April 19, 1947).</blockquote>
Shreveport city directories continue to list Wills employed at the Wills & Anderson Radio Shop through the 1948-1949 volume. Then, the trail goes cold. He next appears in the 1957 and 1958 editions of the Shreveport city directory. At the time, he worked for the Square Deal Radio & TV Service. Clarence Lane owned this business located at 4431 ½ Broadway Avenue. The 1957 edition of the Shreveport city directory also includes the first reference to Clara N. Wills, the wife of Oscar Wills.<br />
<br />
It seems 1957 was a good year for T. V. Slim. At this point, he had already issued a couple releases on his Speed record label. Then in February 1957, Duke Records released Little Junior Parker singing a song written by Wills -- <a href="https://www.youtube.com/watch?v=5iUthKzcu64" target="_blank">"My Dolly Bee."</a> It appeared as the b-side to Parker's hit song <a href="https://www.youtube.com/watch?v=0E_kZqq3GEM" target="_blank">"Next Time You See Me."</a> One advertisement proclaimed,
“3,000 ordered first two days."<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-3PQDB56lJ60/VlTXgDjtQyI/AAAAAAAACRM/8zsDMAoP_k0/s1600/LittleJuniorParker_DollyBeeAdvertisement_Billboard19570202.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-3PQDB56lJ60/VlTXgDjtQyI/AAAAAAAACRM/8zsDMAoP_k0/s320/LittleJuniorParker_DollyBeeAdvertisement_Billboard19570202.jpg" width="307" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Billboard </i>(February 2, 1957), page 57.</td></tr>
</tbody></table>
<br />
By the summer of 1957, T. V. Slim's most successful song was released. Written by his wife Clara, "Flatfoot Sam" debuted on the short-lived Shreveport record label, Clif. <i>Billboard </i>music magazine was not impressed. "Rated 65 or less," stated the review with no further details.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-v_THHZEnRGk/VlTKH_b4NHI/AAAAAAAACQQ/gjP0SHVdBM8/s1600/TVSlim_FlatfootSamClifReview_Billboard19570701.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="274" src="https://2.bp.blogspot.com/-v_THHZEnRGk/VlTKH_b4NHI/AAAAAAAACQQ/gjP0SHVdBM8/s320/TVSlim_FlatfootSamClifReview_Billboard19570701.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Billboard </i>(July 7, 1957), page 64.</td></tr>
</tbody></table>
<br />
Less than two months later, though, record label owner Leonard Chess in Chicago licensed and released "Flatfoot Sam" twice. One release of <a href="https://www.youtube.com/watch?v=kWV7zzA0W0c" target="_blank">"Flatfoot Sam" (Checker 870)</a> is an exact repressing of the original recording on Clif. This time, <i>Billboard </i>rated the song higher -- 77 -- and decided to actually write a review for the "gutbucket material with amusing lyrics."<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-86kf7hHN_30/VlTK3d00OgI/AAAAAAAACQc/DxiTpnq6FtI/s1600/TVSlim_FlatfootSamCheckerReview__Billboard19570826.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="206" src="https://2.bp.blogspot.com/-86kf7hHN_30/VlTK3d00OgI/AAAAAAAACQc/DxiTpnq6FtI/s320/TVSlim_FlatfootSamCheckerReview__Billboard19570826.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Billboard </i>(August 26, 1957), page 102.</td></tr>
</tbody></table>
<br />
Leonard Chess's second release of <a href="https://www.youtube.com/watch?v=wlPWwKxWo6w" target="_blank">"Flatfoot Sam" (Argo 5277)</a> involved re-recording the song with a fuller sound. It featured Oscar Wills singing alongside Paul Gayten’s orchestra from New Orleans. The review for this record appeared on the same page as the <i>Billboard </i>review of Checker 870. However, this updated recording received a lower rating -- 75. Another twist to the Argo version of "Flatfoot Sam" relates to the
song's composer credit, which had previously listed Clara Wills. One Argo pressing lists Clara as the
songwriter of a misspelled “Flat Footsam.” Another pressing lists the
songwriters as “Oscar Wills and Stan Lewis.” For those interested in
the extended life of the song, numerous cover versions exist.
Shreveport rockabilly singer/guitarist Tommy Blake recorded a
rendition as <a href="https://www.youtube.com/watch?v=xhI29aZzCnY" target="_blank">"Flat Foot Sam" (Sun Records 278, released 1957).</a><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-FC7sWC8_UxE/VlTVpOaxrMI/AAAAAAAACRA/u1skeCvN3rs/s1600/OscarWills_FlatfootSamArgoReview_Billboard19570726.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="237" src="https://1.bp.blogspot.com/-FC7sWC8_UxE/VlTVpOaxrMI/AAAAAAAACRA/u1skeCvN3rs/s320/OscarWills_FlatfootSamArgoReview_Billboard19570726.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Billboard </i>(August 26, 1957), page 102.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-VVnN5EzRVBw/VlTNQ9ggNKI/AAAAAAAACQw/zyuPDBE8zN4/s1600/OscarWills_FlatfootSamArgoAdvertisement_Billboard19570826.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://2.bp.blogspot.com/-VVnN5EzRVBw/VlTNQ9ggNKI/AAAAAAAACQw/zyuPDBE8zN4/s320/OscarWills_FlatfootSamArgoAdvertisement_Billboard19570826.jpg" width="306" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Billboard </i>(August 26, 1957), page 98.</td></tr>
</tbody></table>
<br />
<br />
By 1959, Oscar Wills had moved to Los Angeles, California. He continued recording music, releasing records, and fixing televisions until his untimely death in 1969. For further reading on Wills:<br />
<ul>
<li>Dik de Heer, T. V. Slim (Oscar Wills) biography, Black Cat Rockabilly Europe website, <a href="http://www.rockabilly.nl/references/messages/tv_slim_oscar_wills.htm">http://www.rockabilly.nl/references/messages/tv_slim_oscar_wills.htm</a>. </li>
<li>Pete Hoppula, “T. V. Slim discography,” Wang Dang Dula website, <a href="http://koti.mbnet.fi/wdd/tvslim.htm">http://koti.mbnet.fi/wdd/tvslim.htm</a>.</li>
<li>Darryl Stolper, “TV Man,” <i>Blues Unlimited</i> 55 (July 1968), pages 5-6.</li>
<li>Ray Topping, <a href="http://www.allmusic.com/album/red-river-blues-mw0000249533" target="_blank"><i>Red River Blues</i> compact disc</a> liner notes, Ace Records CDCHD 725, 1999.</li>
<li>Stefan Wirz, “Illustrated T. V. Slim discography”, American Music website, <br /><a href="http://www.wirz.de/music/tvslifrm.htm">http://www.wirz.de/music/tvslifrm.htm</a>.</li>
</ul>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-dBgErLHbxkU/VlTj6PsDR8I/AAAAAAAACRk/DqkQl7KFW7U/s1600/TVSlim_Photograph_Undated.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://1.bp.blogspot.com/-dBgErLHbxkU/VlTj6PsDR8I/AAAAAAAACRk/DqkQl7KFW7U/s400/TVSlim_Photograph_Undated.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">T. V. Slim promotional photograph (undated)</td></tr>
</tbody></table>
<ul>
</ul>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com6tag:blogger.com,1999:blog-7646897278234448140.post-89319717525559854112015-09-18T08:00:00.000-05:002015-09-18T08:09:34.283-05:00"Stan's the Record Man" commercials (1971-1973)<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-Z4xBaH_NMPI/VfuCoiqLRDI/AAAAAAAACH0/c9zyVP6TGLs/s1600/StansTheRecordMan_CountryPopR%2526BVersion_19720621.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://3.bp.blogspot.com/-Z4xBaH_NMPI/VfuCoiqLRDI/AAAAAAAACH0/c9zyVP6TGLs/s320/StansTheRecordMan_CountryPopR%2526BVersion_19720621.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Stan's the Record Man" reel-to-reel tape box (1972)</td></tr>
</tbody></table>
<br />
In 1973, music historian Mike Leadbetter wrote, “‘Locally owned and nationally known,’ wails the radio commercial for Stan’s Record Shops and if you’re anywhere in the South you’re bound to agree: Stan Lewis is the record man down there, with several record labels, retail outlets and a distribution set-up that links Shreveport, Louisiana (his home) with Memphis and New Orleans” (“Serving the South,” Blues Unlimited, December 1973/January 1974).<br />
<br />
Lewis used multiple radio commercials to advertise his record stores. These six jingles from the early 1970s share a great deal in common – similar (or identical) music and lyrics. The main difference is the singer. Be sure not to miss Shreveport soul singers Eddie Giles and Reuben Bell on the two commercials designated “rhythm and blues.”<br />
<br />
The Stan Lewis festival takes place in Shreveport on September 26, 2015. For more information, visit the <a href="https://srac.squarespace.com/calendar/2015/9/26/stan-the-record-man-lewis-music-fest" target="_blank">Shreveport Regional Arts Council</a>.<br />
<br />
<ul>
<li><a href="https://youtu.be/hekS2r4RgVw" target="_blank">EDDIE GILES - “Stan’s The Record Man” R&B jingle (August 18, 1971)</a></li>
<li><a href="https://youtu.be/LEr4sJqlOqI" target="_blank">Group vocal - “Stan’s The Record Man” Pop jingle (August 18, 1971)</a></li>
</ul>
<ul>
<li><a href="https://youtu.be/hnS9lrpRwFw" target="_blank">“Stan’s The Record Man” Country version (June 21, 1972)</a></li>
<li><a href="https://youtu.be/vHm-CI02_Bg" target="_blank">“Stan’s The Record Man” Pop version (June 21, 1972)</a></li>
<li><a href="https://youtu.be/ma-e7sgm9pc" target="_blank">REUBEN BELL - “Stan’s The Record Man” R&B version (June 21, 1972)</a></li>
</ul>
<ul>
<li><a href="https://youtu.be/C7wzPd1cWUE" target="_blank">“Stan the Record Man” Old Time version (May 8, 1973) </a></li>
</ul>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-KxAIckvmIDU/VfuIE93V2NI/AAAAAAAACIE/pjr-yKPGcC8/s1600/StanLewis_BusinessCard_1974.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://1.bp.blogspot.com/-KxAIckvmIDU/VfuIE93V2NI/AAAAAAAACIE/pjr-yKPGcC8/s320/StanLewis_BusinessCard_1974.jpg" width="197" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stan Lewis business card (1974)</td></tr>
</tbody></table>
Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com0tag:blogger.com,1999:blog-7646897278234448140.post-30051705224362519232015-06-05T08:00:00.000-05:002015-06-28T10:54:14.267-05:00Hank Williams: Photographs from the Gutter, circa 1948-1952<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-i1u_iN2XMu8/VXDG2DwwV2I/AAAAAAAAB1E/uYRuzlC2uEg/s1600/HankWilliams001_circa1952.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://2.bp.blogspot.com/-i1u_iN2XMu8/VXDG2DwwV2I/AAAAAAAAB1E/uYRuzlC2uEg/s320/HankWilliams001_circa1952.jpg" width="241" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hank Williams, circa 1948-1952</td></tr>
</tbody></table>
<br />
One night around 2003, Hank Williams was lying in the gutter on Boulevard Street in Shreveport. Well, it was more like hundreds of discarded photographs were lying in the gutter. We scooped up all of them…businessmen, historic homes, and plenty of weird-looking babies. Hank Williams was in there somewhere. Four times, in fact. It appears that three of those photographs remain unpublished. Enjoy.<br />
<br />
If you want to hear live recordings from Hank Williams' time living in Shreveport, check out:<br />
<ul>
<li>Hank Williams - Shreveport Sessions, August 1948- May 1949 2xLP (Doxy, 2010)</li>
<li>Hank Williams - The Complete Hank Williams 10xCD (Mercury, 1998)</li>
<li>various - Louisiana Hayride: Classic Country Radio, Volume 1 CD (Music Mill, 2000)</li>
</ul>
<br />
Thanks to the three editors of <i>The Hank Williams Reader</i> (New York: Oxford University Press, 2014) for inspiring the hunt to dig these photographs out of storage. Great work, Patrick Huber, Steve Goodson, and David Anderson!<br />
<br />
P. S. Thanks to Johnny Wessler for helping identify the other people in these photos.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-46lKbmxfJpE/VXDG46IZDMI/AAAAAAAAB1Q/el38mMgTDvk/s1600/HankWilliams002_circa1952.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://4.bp.blogspot.com/-46lKbmxfJpE/VXDG46IZDMI/AAAAAAAAB1Q/el38mMgTDvk/s320/HankWilliams002_circa1952.jpg" width="214" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">left to right: <br />
Hank Williams, Billie Jean Jones Eshliman Williams, <span data-reactid=".42.1:4:1:$comment10206782989588813_10206807566443219:0.0.$right.0.$left.0.0.1"><span data-ft="{"tn":"K"}" data-reactid=".42.1:4:1:$comment10206782989588813_10206807566443219:0.0.$right.0.$left.0.0.1.$comment-body"><span class="UFICommentBody" data-reactid=".42.1:4:1:$comment10206782989588813_10206807566443219:0.0.$right.0.$left.0.0.1.$comment-body.0"><span data-reactid=".42.1:4:1:$comment10206782989588813_10206807566443219:0.0.$right.0.$left.0.0.1.$comment-body.0.$end:0:$text0:0"><br />Clyde Perdue (Williams' manager), Jean Jones, and Al Jones</span></span></span></span> <br />
at the Alamo (San Antonio, Texas), September 1952</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-5OSrBxfcLV8/VXDG8JaKFdI/AAAAAAAAB1U/tS2C3WtkiKE/s1600/HankWilliams003_circa1952.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="259" src="http://4.bp.blogspot.com/-5OSrBxfcLV8/VXDG8JaKFdI/AAAAAAAAB1U/tS2C3WtkiKE/s320/HankWilliams003_circa1952.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">left to right: Anita Carter, Grady Martin, Marjorie ?, and Hank Williams<br />
at the Stork Club (New York City), March 1952</td></tr>
</tbody></table>
<br />Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com3tag:blogger.com,1999:blog-7646897278234448140.post-88204729280516374802015-04-18T13:45:00.001-05:002015-04-18T13:50:36.697-05:00BLUES KINGS - Half Baked (K-Dee, circa 1965)<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-nsCvuN1WrZo/VTF6st5SGpI/AAAAAAAABsk/b8Ec08arnSo/s1600/BluesKings_HalfBaked_KDee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-nsCvuN1WrZo/VTF6st5SGpI/AAAAAAAABsk/b8Ec08arnSo/s1600/BluesKings_HalfBaked_KDee.jpg" height="320" width="320" /></a></div>
<br />
<a href="https://youtu.be/mhsbL2E5A94" target="_blank">BLUES KINGS - Half Baked (K-Dee, circa 1965)</a><br />
<br />
Time to highlight another record that seems to have slipped through the cracks. Clocking in at 99 seconds, the Blues Kings' instrumental "Half-Baked" brings to mind the mid-1960s sounds that jarred ears on the Bossier Strip.* The record's label indicates the involvement of Dale Hawkins, whose performances on the Strip in the late 1950s are well-documented in Shreveport newspapers. As for arranger Maurice Varnado, <a href="http://obits.dignitymemorial.com/dignity-memorial/obituary.aspx?n=Maurice-Varnado&lc=7186&pid=174636333&mid=6403482" target="_blank">according to his obituary</a>, he worked as a school teacher in Bossier City and passed away April 13, 2015. But who were the Blues Kings? We could use your help solving this mystery.<br />
<br />
BLUES KINGS<br />
K-Dee 1000 (circa 1965)<br />
Produced by Dale Hawkins, Arranged by Maurice Varnado <br />
711-1 Blues Stay Away From Me (Glover - Rainey - Delmore - R. Delmore) Lois Publishing Company<br />
711-2 Half-Baked (Dale Hawkins) Bossier Music Co.<br />
<br />
*Travelers headed east from Shreveport's downtown meet the Long-Allen bridge, which takes them over the Red River. On the other side sits Bossier City. In 1963, author Erskine Caldwell wrote, "After dark, when the rainbow-colored, plastic-encased, rocket-shaped neon lights burst into all their crazy-crystal glory, Bossier City is a dazzling three-mile strip of booze, girls, and ear-jarring nightlife" (<a href="https://news.google.com/newspapers?id=1fxOAAAAIBAJ&sjid=QgEEAAAAIBAJ&pg=5834%2C6311402" target="_blank">"Bossier City, La., Quakes And Quivers At Nightfall,"</a> <i>Toledo Blade</i> [Toledo, OH], December 29, 1963, p. G-3).<br />
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<br />Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com1tag:blogger.com,1999:blog-7646897278234448140.post-7702313050919380912015-03-09T17:00:00.000-05:002015-04-18T09:27:34.028-05:00DOROTHY WHITEHEAD - Rain, Rain, Rain (HySign, 1973)<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-b8Sn14y_xyU/VP3tN4Ak3KI/AAAAAAAABqI/BHzK-PggVMM/s1600/DorothyWhitehead_RainRainRain_Hysign.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-b8Sn14y_xyU/VP3tN4Ak3KI/AAAAAAAABqI/BHzK-PggVMM/s1600/DorothyWhitehead_RainRainRain_Hysign.jpg" height="320" width="320" /></a></div>
<br />
<a href="https://www.youtube.com/watch?v=HPlv6tbF14g">DOROTHY WHITEHEAD - Rain, Rain, Rain (HySign, 1973)</a><br />
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<br />
Dear readers, you have helped solve a few Shreveport music mysteries over the years. Time for a new one. Who was Dorothy Whitehead?<br />
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Gospel shouter Dorothy Whitehead’s songs “Rain, Rain, Rain” and “Jesus, Just Jesus” appear on a 45 released on HySign Records in 1973. Regular readers will recognize this label as one run by Harding Guyon Demarais (aka Dee Marais). In “Rain, Rain, Rain” Whitehead tells the biblical story of Noah including references to ancient “creepin’ things” plus modern-day dope smokers and wine drinkers. It’s powerful stuff.<br />
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DOROTHY WHITEHEAD<br />
HySign 711 (1973)<br />
La Dee Music BMI<br />
711-X Rain, Rain, Rain (D. Whitehead)<br />
711-Y Jesus, Just Jesus (D. Whitehead) Chrishttp://www.blogger.com/profile/11122039263784861818noreply@blogger.com2